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sunsetinmyvein · 4 years ago

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The Radio Station - Chapter Six - Why Can’t We Be Friends?

26th of November, 2018

Eventually, she saw it all unfold in the headlines. The lies. The heroin. The trip to rehab. It was devastating to discover the root cause of Matty’s behaviour in such a disconnected way from how she might’ve expected to discover it a few years ago. A part of her wanted to reach out, to check in and see if he was doing all right, offer to help, but she suspected after their last two interactions that maybe she was better off just leaving it. However, in contrast to the sinking feeling from knowing he had been going through such turmoil, it was incredibly uplifting to see him getting back on his feet. For him to be writing and releasing music again meant that he must’ve successfully made it to the other side. Whenever the announcement of a new album came, she waited in anticipation for the email confirming that he’d be coming back on the show. She wasn’t entirely sure if she was excited at the thought of seeing him again, or absolutely dreading the prospect of things still being uncomfortable between them - her emotions seemed to regularly flip flop between the two. It was awfully close to the album release date when she finally got the confirmation from her boss; she had begun to suspect maybe he didn’t want to come back on the show after how they’d left things. He’d have every right to resent her after how she’d treated him.

She was knocked out of her thoughts whenever she heard a soft knock at the door, turning in her chair to see Matty standing outside with a sheepish smile, having arrived early. His hair was cropped quite a bit shorter than she’d seen it before but he was still sporting his natural curls. He was wearing some puffy yellow coat over a plain shirt, and stock standard worn out blue jeans. It was probably the most… average, that she’d ever seen him look (not that average was ever a truly fitting word to describe Matthew Healy). She waited for him to push the door open and come in, but he seemed to be waiting for her to let him in. As she stood up and opened the door, and he gingerly made his way inside and loitered next to her desk for a minute, she was suddenly vividly reminded of the first time she’d met him. All she could see was the nervous twenty-three-year-old that she’d met six years ago, who was scared shitless about his first proper radio interview. The nostalgia hit like a freight train, and before she could give it a second thought she grabbed him in a tight hug.

He hugged her back, pressing his face into her shoulder as he let out the breath he had been holding. “I’m sorry…” She said quietly after a moment.

He gave an incredulous laugh at that, “You’re sorry? For what?” He asked. “I was the dickhead.”

“I just…” This hadn’t really been the way she expected herself to instantly react, nor had she thought of anything to say in this situation. Her mouth was running dry trying to come up with the right words to explain what she was feeling. “I wasn’t exactly a good friend.”

“I think we were both a bit guilty of that.” He chuckled as he ran a hand through his hair, taking a step back.

“I should’ve tried harder.” She tried to explain, frowning at herself as she floundered for the right sentiment.

“It’s fine, truly.” He reassured her. “I wouldn’t have told you what was happening, anyway. Nobody knew.” He added with a shrug.

They took their seats opposite the desk, both feeling slightly relieved but well aware there was still tension surrounding them. “Uh, is there anything you want me to avoid asking about?” She asked eventually, busying herself with checking the text line to avoid looking directly at him.

“No.” Matty replied instantly. “I’d prefer you ask what you want to rather than censor yourself for my benefit. I won’t answer it if it’s too much.” He clarified. “Thanks for checking, though.”

“Are you…” She hesitated, unsure of the boundaries of their friendship now and how much she should be asking for her own curiosity. “Are you all right now?” She asked as she looked across to him.

He cracked a small smile, “Considerably better. Probably not all the way there yet, though. It’s hard with my girlfriend back at home for the moment, but I’m managing. Keeping busy with other stuff to stay occupied.” He answered truthfully. She nodded in understanding. “And you? It’s been at least three years since we’ve had a proper conversation.” The realisation of how long it had actually been stung slightly, but she ignored that feeling and instead focused on the fact that he seemed to genuinely want to know how she’d been.

“Good.” She grinned. “Doing well on the morning slot now that it’s been a few years.”

“You’ve been making a bit of a reputation for yourself over here, I hear your name get kicked around a bit when I’m at home. It’s nice to see you getting proper recognition for your efforts.” She tried her best not to blush at the subtle compliment.

Thankfully she didn’t have too long to dwell on his kind words and any connotations behind them before the interview started. The nervous butterflies sat at the pit of her stomach as she switched the live audio and video feeds over, lying in wait in case the interview still felt as awkward and forced as the last two.

“Matty, great to have you back.” She spoke, clearing her throat slightly.

“Great to be back after so long.” He said cheerfully.

“The 1975 release their new record in six days, A Brief Inquiry into Online Relationships-”

“Only six days?” He muttered to himself in slight disbelief.

“We’ve only got a relatively short interview today, because after this you are heading straight into the live lounge to play a few tracks for us.” He made a noise of agreement. “We’ve heard five singles off it, all of which sound very different from one another in true 1975 fashion.” Matty laughed lightly at that. “And I noticed that you did the same thing with this album as what you did with I Like it When You Sleep; the first single you released was the first track on the album. Is this becoming a habit for you guys?” She asked.

“Probably not a habit.” He started, letting out a huff. “It just felt like the most natural thing to do. Whether it felt like a primary statement or not, I’m not sure. We’d already made an album by that point, we hadn’t made a group of singles. I hadn’t been thinking ‘oh, how do we butter them up?’ Just thought… this is the first song on the record. Put it out.” He shrugged.

“Do you think this is your strongest record so far?”

“A hundred percent.” He answered instantly.

“I’ve heard people comparing it to OK Computer. Saying that it’s a similar thing for the millennial generation.” She prompted.

He let out a groan, “I try not to think much about it.” He admitted. “I mean, what do I say? It’s so humbling and amazing, but strange also, because… the only realisation that I really came to, about the record – I think the reference to OK Computer is maybe it’s kind of, the narrative is incredibly twinned with how we communicate and the internet and all those kind of things. Which is obviously OK Computer in a nutshell. My favourite records are about life.” He said, clenching his fist for emphasis and knocking the microphone lightly. “It’s maybe a bit of a big thing to say, but I was just writing a record about relationships. Well… I wasn’t even doing that; I was just writing a record. And it turns out if you’re trying to write an honest record about relationships and how they’re mediated in the modern day, you’re kind of by proxy writing about the internet.” He explained. Things already felt more natural than what they had of late. Matty felt more open and responsive, which instantly put her mind at ease.

“One of the other singles that we’ve heard from the album is Love It If We Made It, which is…” She tried to pick her words carefully to best capture her thoughts on the song succinctly, “a pretty powerful song to say the least.”

Matty nodded enthusiastically before answering, “The thing with Love It If We Made It… it was very, very difficult to write. It’s a list of information. The idea stemmed from the fact that over a year we collected tabloid newspapers every day to make the lyrics. Unfortunately, when we got to trying that, it was too slapstick. The song was hard to get right. It needed to be as objective and as fair and as anti… ‘watch out sheeple’ as possible. And that’s hard to do.”

“It seems you guys did a good job with it in the end. It’s been resonating well with our listeners.”

“Thanks.” Matty grinned proudly.

“It’s Not Living If It’s Not With You has also had quite the response.” She added, hoping he’d have a bit to say about that, and that maybe it could work as a segue to the questions blowing up her screen in her peripheral vision.

“It’s… I don’t know…” He sighed, staring blankly at the wall behind her as he tried to formulate an answer. “The way I always explain it, it’s like it’s a song that sounds poppy but it’s about something serious. Which, okay, that’s straight up 1975. And that’s because the feeling that I get from music, narratively or musically, can kind of be the same thing. You know like being nervous or being like, er, anxious for a date, physically could be the same feeling as the fear of heights if you get rid of all the intellect. Emotionally, you get the same thing. I’ve always been like, I get this feeling when I read the lyrics of Hallelujah by Leonard Cohen but I get the same carnal feeling when I hear the music to Girls Just Want to Have Fun. So… the synthesis of those ideas has just been the most obvious thing in the world for me, you know what I mean?” He looked across to her for confirmation. “I think that idea really sums up The 1975. If you’re a big fan of The 1975, that’s the most 1975-iest song on the record.”

She had hoped he would jump straight into the lyrical content of the song, but clearly she would need to segue into it herself. “That totally makes sense.” She agreed. “There’s been a bit of a debate about the subject matter of It’s Not Living.” She said, giving him a cautious glance. He’d said not to worry about asking whatever she wanted to, but that didn’t stop her from feeling like she was delving too deep into his private life.

He hummed thoughtfully. “I’m pretty sure most of the fans know what it’s about.” He said with a dry laugh. “I’ve not like… done some big reveal of my relationship with drugs over the past couple of years. I think that because…” He stared down at the desk with a frown, “I used to have nightmares about being exposed. Because remember, my whole game has always been that ‘do I know that you know that I think that I’m a rock star?’ that’s always been my whole thing.” He said with a pointed look. “So, the idea though, of actually being known for being a junkie and doing those kinds of things, used to terrify me. Because then I’m a cliché. I lose all of my irony and lose all of my funniness because I’m an actual cliché. So, I think even when I’m talking about it on this record, I’m still going ‘Danny ran into some complications-’ it’s like I’m using characters. It’s a bit like somebody going ‘I’ve got this mate, right, and he’s got a bit of this weird rash-’ “ He chuckled. “Like ‘yeah, all right, well tell your mate-’ it’s like we know who you’re talking about. I think the idea that I’m still trying to hide and remove myself from it is part of the gag. But then the chorus is brutally honest. It’s difficult to write a song like that. It’s hard to despise the idea of fetishizing or romanticising drug use as a behaviour but then only having my truth. Like I don’t have anything else, I don’t have anywhere else to talk about it. There is a hopelessness to drug addiction. You don’t keep doing it because it’s cool, you keep doing it because you feel like there’s no life without it.” His expression seemed to become quite sombre at that before he continued his train of thought. “And to express that… it wasn’t like a relief for me. The music is a catharsis for me, but it wasn’t like I needed to get that out. Unfortunately, I’m only my set of experiences, and they’re pretty limited as somebody who’s been on the road for four years trying to mediate his life through drug addiction, y’know? So yeah… it’s difficult to walk that line. Um… But I just had to make sure that… like with most of my work, any discussion of my behaviour is normally with a profound distaste. And kids are smart, man.”

She hadn’t really expected him to be so open about it so readily. “What started it?” She asked instinctually, almost forgetting for a moment that she was at work and meant to be providing entertainment. “If you don’t mind me asking.” She added as an afterthought.

He waved a hand dismissively at her worry. “I’d be on stage, and there would be however many thousands of people. And I’m genuinely trying to connect with people, you know? And then it’s done. Go back to the hotel room. Go to sleep. Like… what?” He answered with a frustrated huff. “I was trying to change culture in my head ten minutes ago and now I’ve gotta go to sleep? I used drugs to go to sleep primarily. I’ve never had a good relationship with sleep, anyway… I’ve always been jealous of people they’ll tell me about a dream and they’ll kind of like explain this little kind of film that they’ve been that has a dynamic of emotions and it was up and it was down and my dreams are just like terror. Just fear. I’ve never had that many good dreams. And drugs stop you dreaming. But then obviously… you have solutions to get rid of that post-show buzz. Didn’t really get me anywhere. Spoilt it, as well. Did way too much. Did loads of it.” He admitted. “So, I can’t do anymore of it… when I’m older.” He laughed.

“So, you became reliant on that as a comedown?” She questioned.

“It was always gonna happen with me with opiates.” He said bluntly. “I only say this in case people relate to it, but like, when I was younger, I kind of used to dream about being sedated. And unfortunately, sex, drugs, other things, religion, I’ve loved all these things in my life but they’ve never just-” He clicked his fingers, “turned it off. And unfortunately, when I tried those drugs, I – temporarily, for a moment – had that. And I was like, right, this is gonna help. And erm,” He picked at his nail anxiously. “It just takes your shine off, slows you down. Makes you lie, which is a nightmare for somebody who is so Mr Tell The Truth.”

“The lies are what got you caught?”

He made a noise of contemplation. “The problem is… I’m very, very lucky, is what I am. And I have an infrastructure around me of like… we’ve been a band since we were fourteen, I’m twenty-nine, right.” He said with a pointed look in her direction. “We’re like brothers, we love each other. I have amazing opportunities like this,” He gestured around the studio, “I have my health, I have all these things. There’s not a lot of people around me who allow stuff like… hard drug use. And that’s really annoying when you’re a drug addict. But it also makes you reflect, you know what I mean? Because you just end up lying, and being a version of yourself that- but that’s part of the sickness. You incentivise things weirdly.” He explained with a shrug.

“And the rehab centre you went to was in Barbados?” She asked. He nodded in response. “I heard that the band paid for that?”

His expression visibly softened when she brought that up. “Yeah. I think the nice story was that uh… Obviously, I’m in a fortunate place in my career that - obviously I have to think about those kind of financial things - but before I went I was kind of thinking ‘I’ll sort that out when I’m out there’ and then I remember saying to Jamie ‘oh-‘ and he was like ‘aw nah, nah, it’s all sorted’ and I was like ‘Oh, how much did it - what was it?’ and he was like ‘oh, well we just did it out the band’ and I was like ‘oh really??’ “ He seemed visibly touched by this story, even retelling it now.

“That was pretty amazing of them to do.”

“Yeah… Yeah, it was.” He muttered, still clearly caught up in his own thoughts. “And you know what, if you want a band to last forever, share.” He added simply.

“And this place you went to, supposedly they do a bunch of stuff with horses?” She asked in confusion. When she had heard this information, she was almost certain she had gotten her wires crossed, but Matty was already confirming what she had said.

“Equine therapy, yeah! It was, basically…” He started trying to explain, before cracking a smile and looking across to her. “In reality what it was, for the first two or three days was me stood in a field rolling my eyes next to a horse.” He said with a laugh. “That’s what it was really. This guy put me in a field with a horse and was like ‘talk to the horse’ so I’m like” He gave a sarcastic look, “ ‘…all right?’ So, he leaves me alone and I’m like ‘hey man’ and the horse obviously didn’t say anything.” She couldn’t help but laugh at the image. “And then he put me in the round pen, right. He put me in this pen which was just round – was a good explanation of it.” He reprimanded himself with a snort. “And I stood in the middle, and basically he said ‘I want you to walk towards the horse. It’s gonna send the horse around in a loop, and I want you to assert your position. You’re not going to get the horse. You’re just telling the horse that this is where you’re going’. All this stuff. So, I do it. And he goes ‘you’ll notice three things, at one point the horse will dip its head, then it’ll bow its ear to you, then it’ll start biting its lips. Once it’s done these three things, I want you to turn your back and drop the rope.’ So, I’m like right, lips, thing, do this, yep. And the horse is running, the horse is running, I watched for these three cues, and I dropped the rope and I turned round. The horse stopped dead.” He clapped his hands together for emphasis, staring at her seriously.

“I swear to you, it was one of the most profound moments of my life. The horse stopped dead, came over to me and stood behind me – and this is a horse that for three days had mugged me off. And I was… stood there with this horse, that now… wanted to be with me?” He seemed entirely perplexed by this. “Then when I walked it wouldn’t cross my feet,” He gestured to his feet as he said this, knocking his microphone in the process. “Sorry, I keep hitting the microphone. Way too gesticulated today. Erm, when I went into the field and hung out with it, it wanted to be with me. And then I stood there and was like ‘Ah… Right…’ Then all of these profound things… It was so…” He tried his best to find the words. “It ate everything it needed to eat, and didn’t complain about it, and didn’t eat too much of it, and ate the right stuff. It had the ability to destroy anything it wanted, but the desire to hurt nothing. It was physically perfect and strong. It was forgiving with its time with me. And it was kind of compassionate in a way, ‘cause he’s a horse, he doesn’t want me there, he just wants to be a horse. But he let me be there.” It was abundantly clear how much of an impact this experience had on Matty. He spoke about it so passionately that it was hard not to feel moved by what he was saying. “I found myself envying all of these human qualities in a horse. And I think that was the point of it…” He said with a look of finality. “At least, I hope that was the point of it. Otherwise I’ve screwed it up and learned nothing.” He laughed loudly. “But it worked for me.”

“How are you finding it? Being off the drugs?” She asked, leaning back in her seat after having been leant forward in interest for the last few minutes as he told his story.

He pulled a face as he tried to answer that in a manner suitable for a mass radio audience. “I mean… I wouldn’t say I’m this ‘beacon of sobriety’ “ He punctuated that with air quotes, “that’s kind of, telling you how it is to be an ex addict. I don’t know.” He answered sincerely. “I’ve not gone long enough. I’m not gonna start talking about ‘I haven’t done drugs in five years - ten years’ it was only a few months ago. I was still doing loads of them.” He said as he scratched at his neck.

“Is it harder now without them?”

“I don’t sleep as good as I used to with it, but I’m getting by.” He replied with a nod. “I’m all right with sleeping now. The band and my girlfriend have been really supportive and helpful. I’m doing all the things now that I used to do when I took drugs all the time. So, I’ve just made a record without doing it all the time,” He ticked that off on a finger, “so that was an experience, that was a challenge. I’ve now started touring without doing it all the time,” He ticked that off as well, “that’s an experience, that’s a challenge. I’m now about to start getting on planes all the time and touring internationally,” He added that to the list, “that’ll be a challenge. But you’ve just gotta take it day by day as the cliché says, or you’ll freak yourself out.”

“You talk about drugs pretty freely in your music, but you don’t really speak about it in interviews, was that to try and stay… disconnected from it to some degree? Did you think it was going to get as bad as it did?” She asked. She had entirely tuned out of the fan questions being sent in now, asking these questions almost purely from her own curiosity to know what had happened to the Matty she knew.

“No, no, no… I didn’t. I mean, I think the thing that I think I always have confidence in is that because I’ve – regardless of if it’s drugs or relationships - the main thing I’ve done with The 1975 is spoken about myself with kind of quite a profound disdain.” He answered. “There’s not really been a celebration of the behaviour. I think that if I was ever romanticising or fetishizing the use of drugs, I think I’d catch myself doing it. And if I ever have done that in a lyric, it will be immediately met with a lyric that shows that one up to be ironic or flawed.” He elaborated. That made sense. Most of his songs did reflect that attitude. “I’ve just had to be honest. Religion allows you to kind of give something away, sex, exactly the same thing. They’re just ways of giving up some kind of responsibility in the moment. But by that point I’d done ‘em all!” He grinned, still trying to keep the mood light despite the heavy topic. “Drugs was the only one left.”

She stared at him for a moment, just taking in all of the information he’d given her in such a short timeframe. It was a lot to process all at once, but it made a lot of the pieces click into place and answered a lot of questions that had kept her up at night when they had lost contact. Eventually she clocked back into reality, seeing that he was watching her just as intently as she had been watching him while he had divulged some of the most intimate aspects of his life.

“So, to a lighter note-” She segued.

“It’s fine, I don’t mind talking about it.” He said with a chuckle.

She smiled back at him, “I’m sure our listeners have enjoyed hearing it all in such great detail. But, there are some other big events that have been happening in your life as well that we haven’t brought up.” She said.

“Oh?”

“The 1975 will be headlining Reading and Leeds next year.”

“Yes!” He beamed. “It’s our first big headline festival. It gets me proper emotional. We didn’t just go as kids, after I got to thirteen, Christmas took a back seat and the date on my calendar was Reading and Leeds. I went one year with a tenner and no tent. I mean, I’ve had some moments there. It’ll definitely be a very humble show. All of this ego and confidence here will be gone.” He scoffed, “ ‘Honestly guys, thanks so much for coming.’ ” He said in a feigned blubbering emotional voice, before giggling at himself. “But like, we’ve just become a really good band in my opinion. I think we could headline Reading and Leeds tomorrow if you asked us to.”

“Are you particularly excited to have content off the new album to perform there?”

“Definitely. There are some songs on there that will be added into the festival setlists. It was about creating a distillation of what preceded it. Everything needed to be better, more extreme. Poppy bits poppier, heavy bits heavier, honest bits more honest.” He explained with a nod. “You can look at your work and be like ‘what did I do there that someone likes’ or ‘let’s try and do that piano thing’. Me, when I’m like, really personal, really honest, that’s when I get the best reaction. So, I just tend to do that. Like what’s gonna make me, y’know-“ He started pretending to tear up for emphasis.

“And you guys are already working on the next album, Notes on a Conditional Form? This one’s not even out yet!”

He just laughed. “We went away and what happened was, we finished A Brief Inquiry, kind of had a week off and then we started with Notes. I’m just letting it happen.” He shrugged. “I’m letting it happen in the next six months. It’ll be before…” He seemed to be doing some calculations in his head. “August. It has to be in time for Reading and Leeds.” He added decisively.

Glancing down at the clock on the screen next to her, she could see that they had in fact gone over time. “Well, as always Matty, it’s been lovely having you on the show, but I think we have to wrap it up so you can scoot over to the live lounge and get yourself set up.” She said with a small sigh, disappointed that the interview had to end after how well it had been going. Matty had felt entirely captivating as he spoke today, clearly on his game.

“God, this’ll be the first time we’ve played together in… ages.” He said as he pulled a hand through his hair and leaned back into his chair. “And we’ve not played these songs live yet, either. This will be the debut.”

“Incredibly exciting.” She nodded. “So, I’ll let you go. Tune in folks in half an hour, The 1975 will be playing a short set for us of songs from their new album, A Brief Inquiry Into Online Relationships, in the live lounge.” She spoke into the microphone, before rounding out the interview.

Matty didn’t move from his chair across from her as she switched the camera feed off and switched over to the next round of tracks.

“Are you coming?” He asked as soon as she took her headset off. “To the live lounge?” He clarified.

Her shift was meant to end in just over twenty minutes, and they started in thirty. She could probably finish up quickly enough to make it down there in time. “Yeah, I can do that.” She said with a nod.

He grinned eagerly, “It’ll be wicked to have you there for it.”

“It’s probably about time I saw you guys play.” She laughed as he stood up.

“I’ll see you shortly.” He said over his shoulder as he made his way out of the studio.

* * *

By the time she made her way down to the live lounge quite a crowd had already formed. Her handover between shifts had been fairly rushed in an attempt to get out of there quickly, but obviously The 1975 knew how to draw an audience. She managed to squeeze her way through a few crew members to get a decent enough viewing point. Whenever she caught Matty’s gaze, he waved at her excitedly. She waved back, suddenly feeling a bout of nerves at the thought of finally watching him in action. Once the cameras were set up and all of the equipment had done one final round of checks, they launched into quite a boppy first song. She recognised this instantly as Tootime, as it had been her favourite of the singles that were released. He sounded a bit rusty and raw, which thankfully he could cover with the filter over his voice, but his enthusiasm to be performing again was unmistakable. The looks he was throwing to his band were nothing short of ecstatic, and despite being out of practice they played the song flawlessly. They finished up the first song, and he shrugged off his yellow jacket as they changed their gear over for the next two. Their little live set was only three songs long in the end, but they felt It’s Not Living and Sincerity Is Scary were excellent choices to best get across the vibe of the new album. After seeing what they could do in a tiny room with minimal fanfare, she was suddenly kicking herself for never getting out to one of their live shows.

When they had wrapped up the set, Matty started packing away his gear before seeing her starting to leave. He quickly dropped what he was doing and called out to her to wait up. She turned to face him, as he suddenly realised that he hadn’t worked out what to actually say. “Look, I’m sorry about… how I’ve been lately.” He eventually settled on.

“It’s okay, you were going through a rough time.” She reassured him.

“I was,” He nodded, “but it’s not really an excuse.” He added with a sigh. “Can I take you out to lunch after this? To apologise properly.” He asked with a hopeful look.

“You don’t have to-” She started, before he interrupted.

“I know I don’t have to - I want to.” He corrected. She considered this offer for a moment. “Please?”

“Sure.” She nodded, trying to conceal her smile. “That’d be nice.”

She waited patiently as he packed up his gear, feeling slightly awkward for loitering around a studio that wasn’t hers while she watched everyone else clear out. Once everything seemed fairly put away, he exchanged a quiet word with the band and walked over to where she was standing.

“Any preferences for where we eat? It’s your apology lunch, after all.” He said as he slipped his jacket back on.

She grimaced at his choice of words. “Don’t say it like that.”

“Why?” He laughed.

“It makes me feel worse than I already do.”

“Suppose we’ll just feel bad together, then.” He said as he wrapped an arm around her shoulders and ushered her back out of the building. She couldn’t deny, it felt nice to be seeing Matty act more like he had when they’d first met. Whether that was because she enjoyed the attention or because it was nice to see her friend feeling more himself was up for debate.

Due to neither of them being the one to want to make the call about where to eat, for fear of the other not enjoying it, they ended up going to the only place that served food within their direct eyeline – a bakery. It made her feel less like she was taking advantage too for him to only have to pay for pastries and coffee, not a proper fancy meal with drinks. They caught each other up on the fine points of their lives that they’d missed out on hearing over the last few years: highlights in careers, people who’d come and gone, other artists they’d met that had proved to be noteworthy (for good reasons and bad). It was incredibly reassuring for the both of them to know that conversation still flowed easily enough between them when they weren’t actively disliking each other.

“Sorry if the interview was a bit… too personal. We didn’t really talk about the record all that much, in the end.” She said, thinking back to how long they’d spent discussing his drug habits rather than his impending album release.

“Stop apologising.” He said around a mouthful of food. “I’m the one who’s supposed to be saying sorry. And I’m sure the fans would’ve liked it.” He shrugged.

“Yeah, but I don’t want to force stuff out of you for the sake of entertainment.”

“Like I said, I wouldn’t have answered if I didn’t want to.” He reminded her.

He waited a beat, composing what he had originally wanted to say today before clearing his throat. “I really am sorry, you know. For how I left things.” He said as he stared down into his mug of tea.

“It’s genuinely okay, Matty.” She reassured him. “I wasn’t really any better.” She added under her breath.

“I was just a bit oblivious and hopeful when I fucked stuff up initially. I wanted to act like I hadn’t dropped off your radar for two years.” He admitted as he scratched at the side of his head. “If I’m honest, I was reaching out to get some support from an old mate in a time when I felt pretty overwhelmed by everything that was happening. But I went about it in all the wrong ways and just made it a whole lot worse.” He clarified with a dry laugh. As if she hadn’t already felt bad enough, now he tells her that she’d shut him out when he had been trying to ask for help? The guilt increased tenfold.

“Sorry.” She said. He was about to tell her off again for apologising, but she cut him off. “I was already pretty shitty that I hadn’t seen you in so long, so I was pretty quick to want to end that interaction when things started getting… difficult.” She explained.

“Guess you live and learn, huh?” He said with a small smile. “At least we’re still mates now.” Hearing him say that helped ease a bit of her worry that she’d done as much to fuck things up as he had. At least now that it was all out in the open, they could move past it.

“Yeah.” She concurred, returning his smile. They finished up the pastries that Matty had bought before stepping out of the bakery. Both of them felt like a weight had been lifted now that they knew they hadn’t screwed stuff up for good between them. Having each said their piece, they were pretty confident that they could give friendship another shot.

“It was great to see you.” He said as he pulled her in for a hug tight enough that it almost made her lose her breath.

“Next time we’ll have to make sure it’s not so long.” She said as he moved back from the hug.

“We’ll keep in touch.” He agreed with a nod. “And I mean it this time.”

Taglist: @imagine-that-100 @ghostlightqueen @tooshhhy @robinrunsfiction @approved-by-dentists

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#Matthew Healy x Reader #Matty Healy x Reader #Sunsetinymvein

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popculturebuffet · 4 years ago

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Simpsons Review: Simpsons Comics #102 “Uncle Burn$” or Homercore Nudity!

Whelp out of all the commissions Kev has thrown me this one’s kind of a curveball. I mean it makes sense why cover it: It’s a pastiche of Donald Duck Comics done in the pages of the Simpsons long running comics. I cover duck stuff on here, and not only do I love the Simpsons but I tend to reference it for jokes a LOT. I just genuinely never thought of reviewing it till now, likely because earlier on in my new career of reviewing animated shows, I wasn’t really convinced I could do pure comedies. With my regular reviews of Darkwing Duck and as it comes out coverage of the Loud House (I still need to get around to Band Together), that’s no longer a real issue and I should consider doing the show in the future, especially since I have an unabashed love for the first 10 seasons and a few episodes beyond that.

As you can tell, I love the Simpsons. While I do genuinely wish it would end and have no real intrest in the current seasons, though if you’d like me to take a look i’d be willing to. The show in it’s prime was funny, witty and each episode was crammed with jokes. And refreshingly for an adult cartoon show of it’s time, the show genuinely wasn’t afraid to mix things up: Milhouse’s parents divorced and stayed that way for so long that them apparently getting back together decades later is itself a huge status quo shake up. Lisa went Vegetarian which stuck thanks to sir paul mcartney, and then went Buddhist, both of which have never wavered since and both fit her well. Skinner and Krabbable started dating. Barney went sober for a few seasons. Apu got married. These are minor changes but the show does have things happen occasionally and doesn’t just snap everything back and it adds genuine tension to plots knowing they might stay the status quo They usually don’t but the occasional change gives things stakes. I could go on for days, but I couldn’t go on for 8 weeks, point is the Simpsons are awesome, and deserve the praise they get early on I just wish they’d stop as by this point people really have stopped carring and it’s time to pass the torch and Let Bob’s burgers be the wholesome family comedy that runs forever.. and even then that one should stop at 10 seasons. Or if not at least let the kids age dammit. But that aside, while many of you simpsons fans looking at this probably have at least seen the comics, or a collection of them over the decades, many of you like me are wondering what the hell Bongo Comics is and how they managed to last so long. Bongo was founded by Simpsons Creator Matt Groening in 1993. Matt Groening had noticed that at the time there just weren’t any funny books on the shelves, funny books being comedy based comics primarily targeted for kids, with Archie and Disney being really the only ones left at the time. So he founded Bongo to rectify that, and given Fox naturally liked the sound of more merchandising dollars, the publisher was primarily used to produce simpsons comics, though looking at wikipedia there were one or two that weren’t including, of all things, a Coldplay comic tying into their album. Why did Coldplay publish a comic book at a primarily simpsons comic book company?

Though most series seem to be either short lived or one shots, there were a few exceptions: Naturally the company put out an annual Treehouse of Horror issue, there was a Bart Simpson ongoing focusing on him and the other kids of Springfield, I had a trade for that one once, and once Futurama premiered it too got a comic book that held through both cancelations. But standing above them all was Simpsons Comics, a 245 issue long runner that ran all the way up to the company’s closing, likely due to a combination of a lack of profits and the then upcoming Disney-Fox merger depriving them of the very heart and soul of the company.

Naturally being a Simpsons fan I have a connection to these comics having gotten the trades out of the library multiple times as well as the collection of Bartman’s solo series, which was my favorite and I might cover some day. In addition to the Free Comic Book Day issues i also picked up scattered issues over my life since, much like Archie, Simpsons comics were a mainstay of bookstores and super markets and the decline of both comic markets is likely why the Simpsons comics started to peter out in the first place. The quality and memorability of the stories varied but they were a fun thing to have around and it’s sad to see them go, as well as see Disney not even make a remote attempt to bring them back or at the very least republish the vast library they now have access to. Also finally if your wondering yes, there indeed was a Simpsons/Futurama crossover. And no I have not read it. So with that history, most of which I just learned some of which I already knew, in mind, it is very fitting the comic’s did a tribute to the Uncle Scrooge comics. Though it does feel very weird that I have yet to cover any Donald Duck or Scrooge comics.. yet i’ve already covered one of the Ducktales tie in comics and a Simpsons homage to it. I’m going to have to correct that but until then, join me under the cut as I dive into adventure with the Simpsons.

This issue was written by Ian Boothby and drawn by John Delaney, I feel mentiong the writers and artists should be important in comic reviews and I kick myself for not having done that or gone into them as much before. Boothby was apparently the Ian Flynn of these comics, writing more simpsons comics than any other writer according to wikipedia and winning an Eisner for his work on the comic if sadly not this issue. He was nominated for an outstanding Canadian Writer award for it though so that’s good. Point is the guy is a decorated vetran of this series and it shows in how good this issue is and I felt he deserved some recognition as most Comic Book Readers, myself included up till now, likely weren’t aware he even existed nor took over the comic in the 2000′s.

We open with Burns getting attacked by a mummy! Gotta say wasn’t expecting this as where we started out but the simpsons have started with wonkier premises to end up somewhere. I mean there was the time a bag boy strike ended up with them in Africa. Also i’d say Burns should call the police, being the kind of privileged white guy they actually care about protecting and all, but frankly the Springfield Cops don’t have the best track records with Mummies:

But no it’s just Smithers, who dove in heroically to save the company 15 dollars after Homer took a bet to see how many fire crackers he could jam in his computer’s disk drive. Lenny said 20 but he proved him wrong. And yes those are all actual jokes from the comic, this issue is very funny and feels very much like a Golden Age Simpsons episode. They also all gather to sign Smither’s cast.. which naturally is a legally binding contract. Burns takes his loyal minion to get some quality medical care only to find an arcade because he traded the Medical Bay in for one during an outbreak of Pac Man Fever... again I really can’t top that and there may be a good reason why I haven’t covered the Simpsons till now. But yeah as Buns gives Smithers a roll of Pennies, he wonders who to have replace Smither’s on their annual summer treasure hunt.. which would come out of nowhere but we genuinely don’t know what they do most summers. I assumed Burns just road Smithers like a horse to play cricket while Smithers enjoyed it way too much. But a stray comment from Homer getting a Krusty Doll from a crane machine about being king of the treasure hunters leads to this.

I mean it’s an easy joke but damn if it didn’t get a laugh out of me. So later at the old Simpsons place, because this comic is fantastic, Marge and Homer talk things over, but Homer insists Burns said he’d split the treasure, and Lisa wishes she could come along. And Marge says he should, especially for his own saftey.. and when Bart complains, says all the kids should go, she already packed their bags, she’s heading to Rancho Relaxo byyyyeeeeeee. Once again, this comic is amazing, and I would say this is out of character for Marge, but frankly that’s the whole point. Plus it really isn’t when she has to deal with 4 children on a regular basis, and her sisters, and a town gone mad.. yeah can’t blame her here.

The next day at Burns Office, Homer is wearing his navy outfit.. or rather Donald’s Navy outfit. But given I did a quick google and found him having at least 4 different outfits during his time in the Naval Reserves, it’s not a stretch to assume the Simpsons Version of the Navy gave these out too. Seriously Ian Boothby has put more thought into continuity than most writers on the show proper. Also Simpsons Tide, season 9 episode, still very memorable and hilarious and not due to childhood nostalgia. Just looking up this bit had me laughing hard.

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I now want to watch that episode sometime soon so thanks Kev. Anyway Homer seems to have misplaced his plants. Now I could spare you the image since I don’t do things panel by panel anymore and only use panels from a comic when relevant. Buttttt

This traumatizing of my audience brings me to a point about this issue and why it works. While there are tons of nods to the Donald Duck comics and what their homaging is very clear, the issue doesn’t REQUIRE you know them to enjoy it. Knowing them I obviously enjoy it more, but most of the jokes aren’t reliant on you knowing anything about the barks comics and even someone with a passing knowledge of the Original Ducktales can still get the reference if not why Donald is here. It helps this is less of a parody, with the exception of some jokes, and more of an homage, using stylistic elements of those comics while telling i’ts own story as a loving tribute to it’s predecessors. Speaking of one of those jokes poking fun at the source material, Burns is delighted Homer brought child labor, which kept me laughing for a good minute, and when the kids introduce themselves we get this bit.

Not only am I 100% sure every version of Donald or Della did this to make sure they could tell them apart, very much including the reboot with Donald, but it’s a genuine hilarious bit. Donald’s response as they head off is “there’s somehting hooey Dewey and screwy about this. “ Also I will criticize the fact Bart isn’t the one wearing a blue outfit. For those wondering why, after all Maggie wears blue shouldn’t she get it, who haven’t seen this a LOT of merchandise early on had Bart in a blue shirt, due to early Merch being rushed out pre-show and since he wore one in some earlier concept art, he got to wear blue. He also wore it late into the 90′s.

Sidebar: I just found this and while it isn’t a bad joke given his character it is questionable to have a fourth grade boy tell you to buy him. Just saying. But the reason I bring it up is partly because the show itself referenced it at one point.

As well as it’s sister show Futurama

And you remeber that Bart Simpson solo I mentioned? That one frequently, both in and out of story, had Blue Shirt bart show up for some variety.

Also why yes each issue does have it’s own fun “Superman’s Pal Jimmy Oleson” Esque subtitle. And I love it so. Point is Blue Bart is part of the series legacy and this very comic company, so it’s VERY weird to not have that here. That being said there were a few Green Shirt barts apparently as a printing error, so he could just as easily be 80 steps ahead of me. I just don’t know.

Back at the plot Burns and the Simpsons show up at Frink’s lab, Frink rather obviously filling in for Gyro, with his own version of little bulb named F.L.O. who gladly shakes Lisa’s hand.. and releases a Pterodactyl but hey you can’t win em all. It’s a nice nod, though one only fans of the source matieral will really get, but the pterodactyl bit right after helps distract from it. Frink slotts into the roll well, as Frink has no reall affiliation with anyone and is basically, much like Gyro, there for various characters to go too when the story or joke needs him. Frink has two gadgets for them: Some Scuba suits that can go to any depth and a grappling claw that accidently gets him gripped to the pterodactyl. Also homer accidently switches suits with maggie, so we get an adorable shot of her serenely sleeping in a diving helmet while her daddy chokes to death.

So the next day it’s out to the open seas where The Simpsons are doing all the work while Burns lounges.. which yeah this is a typical uncle scrooge adventure all right. While the man unlike Burns does work hard and do things for himself, he spent most voyages talking about the destination while putting all the hard work on Donald, in case you thought there was at least one universe where Donald isn’t miserable most of the time. Lisa wonders what he’s doing and we get this lovely bit.

I just.. can’t stop finding that hilarious or a nice way to get the Uncle Scrooge bit in there while still fitting the Simpsons, and it at least explains what happened to Herb, whose been mentioned all of once in the 30 seasons since he last showed up. I checked. And yes for those unaware, which is fair, or who just now remembered Homer does indeed have a brother, one his dad had out of an affair who showed up twice, once with Homer unintentionally, and largely due to Herb’s own foolishness, ruining his life, the other time with Maggie helping him get back on top and him and Homer reconciling. He’s also voiced by comedic legend and your friend and mine, Danny Devito, whose still making us all laugh to this day and is a wonderful person from all accounts. Rock on Danny, here’s the only way I can think to honor you.

But yeah it’s a good gag. Burns claims to be watching for a Giant Squid.. and turns out to be right. So it’s up to the simpsons to fight the giant squid, a sentence I genuinely didn’t expect.. I thought like the Griffins they’d just ignore it.

I miss that show.. oh i’m aware Family Guy is still running but much like the Simpsons the show it USED to be is long gone. Anyways Bart tells a worried homer octopus suck out the innards and drink it first quipping “It’s not like you haven’t been drunk in the morning before homer. Homer chokes bart only for the squid to choke him which is easily the second best “Homer getting choked after Choking bart” gag i’ve seen.. the best being this one I found on youtube.

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Though personally my faviorite part of that whole bit is Bart’s proud “THAT’S BECAUSE I SOAKED HIM IN SLIME!” Anyways Lisa figures out a way to beat the squid, painting the likeness of each of them on it’s tentacles and letting the thing devour itself. Lisa lampshades it making no sense PHysics wise but with that she reluctantly accepts calling Mr. Burns, Uncle Burns and we’re off to our next location. Next up is Mt. Donrosa, a very clear nod to Uncle Scrooge maestro Keno “Don” Rosa, an avid fan of Barks work who expanded on it and turned it into a solid continuity, most famously, and what got me into the ducks in the first place, with the epic “Life and Times of Scrooge McDuck” which I proudly own and.. well I did say watch this space didn’t I? Enough hinting at the future as the Simpsons scale the mountain with Homer carrying burns up on a rickshaw. Burns however looses his lucky #1 penny, SUBTLE, and cuts Bart down to get it. We then get the best line of the issue:

Bart thankfully survives and we find out the Penny, much like Scrooge’s Dime is how Burns started his fortune.. for this issue and nowhere else but that’s standard for the Simpsons. Specifically loading it into a gun and threatning to kill Jasper’s grandfather with it during the gold rush, a nice twist. At the top of the mountain they find the fabled key of Strobl, which comes from the Taliaferro tribe.. more refrenes this time though I didn’t know them and had to google. Tony Strobl was an artist on the Duck Comics at one ponit and Al Taliforino id forgotten about. He did the Donald Duck comic strip which I had heard of and weirdly hasn’t been collected yet despite Fantagraphics covering mickey, as well as reprinting barks and rosa’s respective works.

The key is suspended in the air by what Lisa suspects to be magnetics, and while Burns plan is naturally “Have Bart swim in it and see if he surivives”, Bart, still pissed from the penny and not wanting to die today, grabs the Penny and uses his slingshot to fire it at the Key. The bad luck from the penny casues an erruption, but Bart once again saves the day and has them surf down, with naturally tons more great jokes. The family enjoys some steamed Seafood, except Lisa whose eating Seaweed, while Homer enjoys a sting ray “It tastes as good as it stings, Ow, Ow.” ON to Goddfrodson Trench, an odd choice given Floyd Goddfrodson was barks equivalent for the Mickey Mouse Comics and not really a duck writer, but he still deserves the honor regardless. Under the Sea, no accusations just friendly crustaceans here.. our heroes are close to the treasure but loose the map to the Jailbird Boys, aka Snake and his cousins, who found out due to Lisa’s blog. She didn’t want to loose any more readers to Sheri and Teri’s Olson Twin’s Fan Page.. which.. it’s 2004.. weren’t they dead by this point? Nope still alive? Still are today in fact? Alrighty then. Also this bit, and some of the other references are a bit heavy handed, I will admit that, but the jokes are high quality enough otherwise that it just comes off as a bit of an adorable wink more than laziness.

Snake and co cut their air with Starfish used as throwing stars.

The gang tie their air suplies to avoid dying, and Maggie, in a clever bit, talks with the starfish, since they communicate via sucking, to attack the Jailbird Boys. Again..

I genuinely don’t know, but our heroes find the fabled vault of Barks Billion.. named after Bark Barks, that polar bear from the sonic games.. no of course it’s named after Disney Duck God Carl Barks, who created the Duck’s share of Donald and Scrooge’s supporting cast: Uncle Scrooge himself, Daisy Duck, a fact I just learned but given he created her first short “Mr Duck Steps Out, shouldn’t of surprised me, The Beagle Boys, Magica DeSpell, Goldie O Gilt, Flintheart Glomgold, Gyro Gearloose, Gladstone Gander, The Junior Woodchucks as a whole, Neighbor Jones, John D. Rockerduck, The Number One Dime, Gus Goose, April, May, June and Whitewater Duck. Just the sheer impact he’s had on the comics on all continents cannot be overstated. He is also the one who refined Huey Dewey and Louie from hellraising little shits to the good little boys they are today.. well okay they were, thankfully the reboot has created much better versions. Point is what a man, what a man what a mighty good man, he is truly missed. We get two great homer gags in the same page, one where somehow he’s put the giant key on a key ring and still can’t find it.. with Bart helpfully taking it from him, and then we get this, which I missed on my first read through.

Naturally Burns betrays them, using a Gold Magnet, kay, to suck up all the gold and naturally planning to leave the Simpsons for dead to no one’s surprise. But thanks to Bart teaching Maggie how to use the spittoons, Homer gets one stuck on his head.. and starts getting sucked up with the Simpsons using them to escape. Naturally Lisa’s first instinct is obvious.

But Burns weasels his way out by promising them free gold after their free lunch. Naturally the next day this turns out ot be a trick as their lunch came from frinks and thus, for now, their weightless.. but Karma gets Burns when he tries swimming in his new gold vault... only for the natural result of what happens when am an who never exercises and who doctors once described as having so many diseases packed into his body at once they tripped each other off and that a strong wind could kill him, trying to do with a similarly aged but still physically fit and well trained at swimming in money man does on a daily basis.

We then close on a quick gag of weightless homer getting caught on fire and we’re out.

Final Thoughts: This was a really excellent comic. It captured the tone of the Simpsons at their best and while stiff in a place here or there, it’s mostly just really funny, entertaining and a nice and warm tribute to Donald and Scrooge’s long comics history, not really mocking it but instead just homaging it, while still throughly feeling like the Simpsons. It honestly feels like the Treehouse of Horor Segement on the shining, a bit that parodies something, but for the most part the jokes still feel firmly rooted in the simpsons and their cast. This was a treat to review and i’m glad Kev comissoned it and I may take a look at more Simpsons in the future. If you guys like this review, you can follow me on patreon at patreon.com/popculturebuffet, or if there’s a specific simpsons or ducktales episode or a specific comic you want me to review, you can comission your own review for just five bucks. Just send me a direct message on here through Tumblr, or take a look at my ask box or submit. However you want to do it. I take payments through paypal and until next time: Happy Days are Here Again.

#scrooge mcduck #the simpsons #carl barks #simpsons comics #montgomery burns #homer simpson #bart simpson #lisa simpson #maggie simpson #don rosa #professor frink #bongo comics #waylond smithers #reviews #ducktales

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passionate-reply · 4 years ago

Video

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Do you “fucking love” science? Have you ever been blinded by it? Well, it doesn’t really matter, because that goofy little number isn’t really supposed to be on Thomas Dolby’s debut album in the first place. Find out about all the awesome OTHER stuff that’s actually meant to be here, in this new installment of Great Albums! Transcript below the break.

Welcome to Passionate Reply, and welcome to Great Albums! Today, I’ll be talking about a stellar album by one of those artists who have gone down in history as “one hit wonders,” despite producing a deep catalogue that’s often more impressive than that one song they end up known for: it’s The Golden Age of Wireless, the debut LP of Thomas Dolby. Chances are pretty good you’ve heard his big hit, “She Blinded Me With Science,” before...at least, if you’re American.

Music: “She Blinded Me With Science”

Like I said, if you’re American, you’ve heard this one before. If anything, it’s oversaturated! But if you’re from elsewhere in the world, you might not know it. Growing up in the US, I went through the whole gauntlet of alleged “one hit wonders” of 80s synth-pop, and a great many of them turned out to be British artists who had perfectly respectable careers in their native UK: Gary Numan, Soft Cell, and OMD, for example. Thomas Dolby is also British, but he’s apparently more famous here than he is across the pond--which is still not that famous.

He really ought to be, though, because The Golden Age of Wireless is a true masterpiece. Or, at least it WAS, in its original form. It’s actually a tough album to talk about, insofar as it’s hard to pin down what exactly constitutes “The Golden Age of Wireless.” It’s had quite a few different pressings, and a variety of different track listings. And the original version of it does NOT include “She Blinded Me With Science.” While I’d never argue that it’s a bad song, since it is insanely fun, and catchy to the point of being irresistible, it really does not belong on this album. I’m sure it helped them move copies of it, but its inclusion kind of ruins the vibe, to be honest. Its in-your-face and flamboyant hooks make it feel like a very unwarranted intrusion on an otherwise fairly serious and contemplative LP, which seems to have been intended as a fairly tight and thoughtful concept album.

Aside from that glaring issue, there are a few other tracks that have appeared on later versions of the album that weren’t there from the start, namely, the two tracks from Dolby’s first ever-release, a double A-side of “Urges” and “Leipzig,” as well as “One of Our Submarines,” the B-side of some versions of “She Blinded Me With Science.” All of these tracks are excellent, and mesh with the thematic and sonic character of the album quite well. “One of Our Submarines” in particular is often considered one of the best tracks of Dolby’s career--melancholy, claustrophobic, and stinging in its poignant sense of tragedy. It captures the misery and futility of modern war, as well as the sunset of the British Empire after the Second World War...and there’s a sample of a dolphin, too. It’s easily the track that I most wish had been included from the very start.

Music: “One of Our Submarines”

But now that that’s over with, I’d like to drill down and talk about how the album operates in its original form, as the artist intended. Like I said earlier, The Golden Age of Wireless is best understood as a concept album, and I think of it in a similar league as classics like the Buggles’ The Age of Plastic, OMD’s Dazzle Ships, or even Kate Bush’s Hounds of Love. The original track listing opens with “Flying North,” a stellar introduction to one of the most prominent themes of the album: freedom!

Music: “Flying North”

“Flying North” is an exultant anthem of self-determination, and one clearly mediated by “metal birds”--aeroplanes, that is. It’s a celebration of the independence allowed by technology, and a rather winsome one, in which this almost macho image of a heroic pilot takes center stage. The final track of the album, “Cloudburst At Shingle Street,” is a bit more esoteric, but seems to be aiming for a pretty similar idea overall, and I’d argue that the two of them form thematic “bookends.”

Music: “Cloudburst At Shingle Street”

“Cloudburst At Shingle Street” leads us through the technological evolution of mankind, from swinging from trees to paving concrete beaches--but the spacey synth warbles beneath those lines give them an ominous bent. The assertion that we might be heading into a cloudburst “mindless,” “naked,” or “blindly�� is unnervingly cynical, but, we’re told, “there’s no escaping it.” Despite all of these signs that our better judgment should be resisting the temptation of this miraculous cloudburst...this triumphant, rising coda, with its powerful choir encouraging us onwards, seems to muddle the whole thing. The untethered, free-roaming nature of modern life isn’t always this sexy and exuberant, though--consider the track “Weightless,” as a counterpoint.

Music: “Weightless”

“Weightless” certainly seems to be about modern transients of some sort--in this case, traveling by car--but never lionizes them or makes them too terribly enviable. Instead, the focus is on the image of the draining fuel tank: the constant emptiness and craving for meaning, validation, and genuine love. No matter the allure of this very American, Route 66-like setting, the gas stations, cinemas, and decadent diner meals along the way are never any real substitute for an emotionally authentic life. That setting is, of course, a wistfully backward-looking Midcentury one. Nostalgia and childhood naivete are also among the album’s major themes, and are expressed the most clearly on “Europa and the Pirate Twins.”

Music: “Europa and the Pirate Twins”

Narratively, “Europa and the Pirate Twins” is a bittersweet story of childhood playmates who never quite re-unite, despite promising to be together again someday. The really interesting wrinkle is the fact that the narrator’s beloved Europa has become a famous celebrity as an adult, and the narrator is essentially a fan of her despite their real-world relationship. It’s an uncanny, confused parasocial relationship dynamic that feels extremely contemporary, despite the fact that it’s ultimately more of a commentary on the rise of teenager-oriented marketing during the Midcentury than anything else. The strange, often unhealthy relationships between young people and mass media, particularly radio, are another one of the major sources of tension on The Golden Age of Wireless. “Europa and the Pirate Twins” is also one of the more interesting tracks, instrumentally, featuring a prominent harmonica part, performed by Andy Partridge of XTC. Given how much the album strives to be about the future and past simultaneously, steeped in nostalgia and utopian visions alike, it makes sense to hear Dolby blend elements of traditional folk or popular music with forward-thinking synth-pop sensibilities. Listen also for a flute on “Windpower,” and a substantial amount of guitar on “Commercial Breakup,” a song that proves Dolby certainly can rock, if he feels like it.

Music: “Commercial Breakup”

The cover art for The Golden Age of Wireless isn’t exactly the most iconic, but I’ve always thought it was very beautiful. You’ve got this very eye-catching, lurid, pulp magazine style illustration of Dolby as a diligent, yet glamourous engineer, radiating with the complementary colour palette of orange and blue, the perfect picture of retro cool. But it’s framed and inset, to give us a conscious sense of observing something that’s coming to us from another time, an artifact preserved. That patina and sense of the antique is amplified by this dull-coloured background, which actually shows a marble sculpture gallery in a museum, though that’s tough to make out unless you have it right in front of you. The numerous shades of irony operating here are another thing that make the album feel strikingly contemporary.

I’m also a huge fan of the album’s title. “Wireless,” if you weren’t aware, is an old-fashioned term for radio. Radio itself is a strong theme on the album, most obviously on the track “Radio Silence,” but the use of the term “wireless” isn’t just another piece of retro nostalgia--I think it’s also evocative of that sense of free-flying, untethered independence I talked about earlier. The first half, i.e., “golden age,” is perhaps even more important. “Golden age” is an extremely loaded term that brings a number of rich associations to the table. “Golden ages” are simultaneously longed for, but not fully believed in. They’re bygone eras that usually felt like nothing special to the people who actually lived through them, despite their greatness being palpable to anyone reflecting on them in hindsight. In every golden age, there’s a poetic tragedy.

I think that even if someone did buy this record just to get their hands on “She Blinded Me With Science,” they’d probably be at least a little bit disappointed in what they got. The album does have some decent pop singles, chiefly “Radio Silence” and “Europa and the Pirate Twins,” but they’re still humming with nostalgia and unease, and not without some substantial experimental DNA.

Music: “Radio Silence”

While they cut the single weirdest track on the album, “The Wreck of the Fairchild,” they still retained some fairly ambitious tracks, such as “Windpower”--clearly an ode to Kraftwerk’s “Radioactivity.” It’s hard to be angry with an electronic musician for trying to rip off Kraftwerk, since they all do it one way or another, and in this case it invites a natural comparison between two great concept albums focused on the theme of radio.

Music: “Windpower”

Overall, though, The Golden Age of Wireless is still a reasonably accessible album on the whole. Possibly not what you expected, and certainly, a work that’s more sentimental and affecting than good for the dance floor, but as far as poignant, ballady, diesel-punk odes to the tragic techno-optimism of the Midcentury go, I’d say it’s not all that hard to get into! Dolby does have a pop core, as an artist, that he’s quite capable of selling to us if he chooses to. For proof of that point, look no further than the single “Hyperactive!” which he followed this up with a few years later:

Music: “Hyperactive!”

When discussing an ostensible one-hit wonder, there’s a distinct temptation to resort to “they deserved better” style rhetoric. On one hand, yes, I do think more people should hear Thomas Dolby’s music, and that it has a lot to say to us. I’m all about obscure music finding new life and being appreciated. That said, in the case of Dolby, I think he basically got what he wanted, in the end. He’s always been more keenly interested in music’s many behind-the-scenes roles than he has in chasing pop stardom himself--he’s produced music, and scored a number of films and video games over the decades. It feels kind of wrong to tell someone who’s successful at one thing that they “deserve” to be successful at something different, just because we may want to hear him do it, or because we esteem one skillset more highly than the other. Ultimately, The Golden Age of Wireless is a Great Album on its own terms, whether Dolby ever decides to grace us with another synth-pop release under his own name again--which he did in 2011, with A Map of the Floating City. But it’s his decision, as an artist, and the fact that he can choose to or not is a luxury that allows him integrity. I think that’s the way it ought to be.

My overall top track on this album has got to be “Airwaves,” a song in which the narrator dies, tragically and suddenly, in an automobile accident. It’s not the sexy, “Warm Leatherette” sort of car accident, but rather a dismally realistic one, that shows quite frankly how undignified death can be. Sometimes, we aren’t so much doomed heroes as we are frightened, sickly children, defeated by our own fickle bodies. The last thought our narrator gets is “I itch all over, let me sleep”; their honour perishes just moments before they do. Meanwhile, the radio is a constant presence throughout, and serves as both something to anchor the scene in the droll and quotidian, as well as ultimately becoming something transcendent. The promise of “airwaves” is not only the human interconnectedness made possible by technology, but also a hint at the ultimate destiny of human souls, a kind of ethereal afterlife in the sky. The meandering lulls of the verses contrast sharply with the song’s eerily soaring refrain, which enhances that feeling that those “airwaves” occupy some sort of higher plane. On that surprisingly heavy note, that’s all I’ve got for today, so thanks for listening!

Music: “Airwaves”

#music #album review #album reviews #thomas dolby #one hit wonder #one hit wonders

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authenticcadence18 · 4 years ago

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in the spirit of the other anon: what are some of your favorite pnf songs?? 👀

AHHH MADDY PLS YOU KNOW I LOVE MUSIC AND PHINEAS AND FERB THANK YOUUUU FOR THIS ASK.

ok so! favorite songs! I’ve got a ton so let’s just jump right to it (see what i did there? lol)

What Might Have Been

This is my FAVORITE Phineas and Ferb song, I remember when whispers about a “Phinbella duet” first started circulating mid-2012 and being SO HYPED (I was so hyped I wrote my own Phinbella duet, lollllll. maybe I’ll post it sometime). I waited literal YEARS for this song and it was VERY WORTH THE WAIT. I love the instrumentation (the strings? the guitar? the drums? the hint of Isabella’s theme at the beginning of the third verse? a A H), the lyrics are just so heartfelt and sweet and poignant (with just a hint of trademark PnF humor thrown in, lol), and the vOCALS GOOD LORD, ALYSON AND VINCENT KILLED IT. And the harmonies at the end. Bless. AYA isn’t perfect but I ADORE “What Might Have Been.” Like, they really gave us a 3 1/2 minute long song of Isabella and Phineas singing about being in love. They did that for us. Sometimes, I listen to it on a loop when I need to focus...or just because I want to listen to it. It’s truly just. The best. Ah. My heart. This song deserves more mainstream attention dANG IT.

Summer Belongs To You

This song is so uplifting and positive and the beginning is a Phinabella duet of COURSE I love it (i deeefinitely made a lil’ reference to it in a certain simile in chapter 9 of CHFIL, not sure if anyone caught that but writing it made me smile!). It always puts me in a good mood and makes me feel like I can accomplish anything. And it gets bonus points because it features Candace singing about loving her brothers!! SBTY is also one of the episodes that got me interested in the show, so this song holds a special place in my heart.

City of Love

This song ALSO holds a special place in my heart. Like, it’s so sad but it’s so good. I love Isabella, and I feel for her (and when I first heard this song I could 100% relate to her plight, LOL). This is also the first PnF song I ever downloaded! So it’s very nostalgic and special to me.

Us Against the Universe

I ADORE THIS SONGGG I ADORE IT SO MUCH OK IT’S JUST EVERYTHINGGG. It makes me feel ALL THE THINGS. It’s very similar to “Summer Belongs To You,” but rather than being rooted in nostalgia, it’s like a reminder that the characters are still as present and united as ever. A couple years ago, I never would’ve thought we’d get to hear the entire cast sing together ever again, so like....this song means the world to me. It’s a great song for 2020.

The Universe is Against Me

This is ALSO the perfect song for 2020, but in a venting way as opposed to an uplifting way like the previous song. I love the imagery in the lyrics (and like...they’re surprisingly real and raw for Phineas and Ferb) Singing along to it is so cathartic, I could listen to this one on a loop and not get tired of it.

Happy New Year

THIS SONG DESERVES TO BE ON AN ALBUM. I listen to it every new year; it really captures the feeling of New Year’s Eve and the celebration of starting over (and also. uh. I will forever associate it with Phinabella and lovely Phinabella vibes because of that scene of them dancing together).

Busted

Busted is iconic. Plain and simple. I adore it. Love the harmonies, love the vibe, I’m pretty sure this was the most listened to song on my old iPod, lol.

Somebody Gimme a Grade

I was (and am...lol) 100% the kid who had to have the best grades they could, so this song speaks to me on an emotional level. I also love the clever wordplay--like, “you wasted all my time learning how to rhyme then left me hangin’ from a treble clef!” is sUCH A GOOD LINE LIKE WHO THOUGHT OF THAT IT’S BRILLIANT. I also love getting to see Baljeet come out of his shell a bit and express himself!

Happy Evil Love Song

This is one of my go-to songs to play on the ukulele! It’s just so funny and sweet (as long as you don’t think about what happens after it, lol).

I Really Don’t Hate Christmas

THIS SONG. I LOVE IT. I love that it pokes fun at the “villains hating Christmas” trope while also subverting it! It’s just, so soooooo so great. I have a great time trying to sing it each Christmas season, LOLLLL. (because those are some FAST lyrics. how did Dan do it????)

That Christmas Feelin’

This is one of my favorite Christmas songs ever!!! It really captures the vibe and joy of the season, and I always go out of my way to play it when hanging out with people who might not know it’s from Phineas and Ferb! lol

In The Empire

One of my biggest flexes is being able to sing the entire “It’s sO NOT FAIR....” section of this song, LOLLLL. It’s just such a fun one to sing!!! (or attempt to sing....hah. Ashley has SKILLS.)

Ferb Latin

Ok, this one might seem a little random, but as a musician, I am OBSESSED with how the three melodies intersect and blend together at the end of the song!!! It sounds SO GOOD. (Plus. Phinabella duet. Yes. Are y’all detecting a pattern?)

Aerial Area Rug

So I’ll just go ahead and say PHINABELLA first because this song has MASSIVE Phinabella vibes (I mean it begins with a homage to the “do you trust me?” scene with Phineas and Isabella, that’s like pure-seratonin right there). And this song is also genuinely just so beautiful. It’s sung so well and the instrumentation is gorgeous and the lyrics are so literal but like, they work very well. (and that key change baby, I love a good key change!)

Gitchee Gitchee Goo

Gitchee Gitchee Goo means that I love you! It’s a classic, and super catchy, and totally reminds me of Phinabella even though in the context of canon that isn’t what it’s about at all😅. Also! Candace and Phineas singing and having fun together will always make me smile. I crave wholesome sibling interactions.

Thank You For Coming Along

THIS SONG MAKES ME FEEL THINGS....I really can’t think of a better send off the show could’ve had. I love how genuine it is, like a love letter to the fans, with all the references and such (I’m a sucker for fourth wall breaks, lol)! And I mean, that Phinabella moment near the end is just MAGNIFIQUE, YES, FOURTH WALL BREAK, PHINABELLA KISS REFERENCES, AND PHINEAS FLIRTING WITH ISABELLA??? WE LOVE TO SEE IT.

We’re Back

and THIS SONG. THIS SONG RIGHT HERE. I can’t think of a better re-introduction to these characters after saying goodbye to them years ago. This song really feels like a warm hug, a welcome home. The music video Disney released for it is especially wonderful because it incorporates scenes from the show!!! I always rock out to this one whenever it comes on. It’s a gift, truly. I love it. I needed this song this year!!!

Ok I could go on and on and on but this post is getting really long so I think I’d better just post it, LOL. Maybe I can make a pt. 2 sometime, LOL. Because there are plenty of other songs I love!!!

THANKS FOR THE ASK MADDY I HAD SO MUCH FUN WITH THIS!!!!!!

#sorry this post is so long #typed it out on my computer😅#long post #phineas and ferb #phineas and ferb music #cadence rambles

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radramblog · 3 years ago

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Album Discussion: For the First Time

I was tossing up whether or not I wanted to keep going on the Radiohead train, considering there are still a huge pile of B-sides to go through. However seeing as there are, well, a lot of those, and I’d feel like I’d want to cover all of them to do it justice, we’re going to take a little break from that for now.

Instead, we’re going to cover something else that I’m probably not qualified for.

Black Country, New Road is one of those bands that apparently all the modern prog nerds are kind of frothing over, and for good reason- their first LP, For the First Time, is genuinely an excellent piece of music, and they have connections to black midi (decapitalization intentional) who I’ve not listened to but are also apparently quite good. It’s a challenging album in more ways than one, which is why I feel a little trepidatious trying to challenge it- so if you’re a big fan of the record, and think I’m not giving it the credit it deserves somehow, please be gentle.

With that said, A. I don’t think any of my “usual” readerbase is going to have heard of or listened to this album, and I’d like to change that, and B. I think it’s really good so I’m not really deviating from tradition here.

For the First Time is a crisp 6 songs long. But the shortest of those songs is almost 5 minutes, and the longest is almost 10, so we’re still going to be here for a while.

The first track is an instrumental, which is titled Instrumental. As with many a lyricless introduction, it serves to introduce what the album is going to sound like- a complex percussion line, building layers of guitars, and jazzy brass instrumentation. But, seeing as it’s 5 and a half minutes long, it’s definitely also its own song worthy of separate consideration.

Instrumental spends a very long time building up. Crescendo is its word, four minutes of clean instrumentation and layers before a climax that’s tense, almost panicked, many of the instruments blending together in the haze as the brass takes over the melody. It does eventually coalesce into a dramatic finale, as suddenly the guitars (I think one of them is a violin actually) and brass are all playing the same three-note progression, a surprising unity after the organised chaos that is the rest of the track.

I feel like this song is a litmus test for the rest of the album. If you like this track, if you like the tones of the different instruments, the styles being played, then you’re going to like the album as a whole- though I suppose you can’t truly tell until the vocals get introduced one track later.

From the lovely mess of the previous track, the considerably more standard opening of Athens, France is a bit of a comfort, though said opening does have this guitar tone that I utterly adore. This is also, however, where we get into the lyrics of this album, and they’re a somewhat complicated subject.

A couple tracks on this album were singles released long before its debut, and my understanding is that Athens, France is one of them. With this delay came reworkings of many lyrics, heavily changing themes and implications behind the songs themselves, which is directly referenced in Athens, France’s second line.

The other thing is that the lyrics on this album are intensely personal, and this one’s no exception. Considering how utterly stark some of them are, and the clear anxiety surrounding their writer, Isaac Wood, it’s not surprising that some of them would end up changing, as he might regret putting that much out there, or be ashamed of how people pick songs apart for meaning nowadays. I don’t really want to be that guy, seeing as the lyrics were changed for a reason, but I only know the difference for the fourth track, and I do want to discuss that because it mostly just hammers the point in.

Anyway.

Athens, France is one of the album’s quieter tracks, spending a long time in this very low mood, carried by the lyricism that somehow manages to be quite literal and word-salady at the same time. The track has builds, but the air is let out of them relatively quick every time, with this just depressed sort of tone. The guitars aren’t as layered, the brass is quieter, you get the idea. For that reason, it’s one of my less liked songs on the album- not because I don’t think it’s good, but because that’s generally not what I’m looking for when it comes to proggy/experimental music.

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We move on now to Science Fair, a track that starts on this almost menacing percussion that doesn’t let up throughout the whole song. It stays on this disquieting instrumentation for such a long while, as the lyrics make the song sound like a mental breakdown in progress, as the guitar gets louder and more distorted, as the brass comes in and just starts losing its mind getting faster and faster and faster and it sounds almost like a horror soundtrack and-

Then there’s, uh, a synth? The track gives you this chance to breathe as the second verse comes in, and it’s a much needed one. Especially as the same effect is effectively happening in said verse, but with additional elements added in, music swelling to this insane peak as Isaac is flat-out yelling. The climax of the track is just this incredible, cathartic release, one that is as harrowing as it is satisfying. The tenseness from the rest of the track is blown through, bubbling over as the lyrics have completed their mental breakdown and our perspective character is getting the fuck out of dodge.

I worry that my commentary on these songs is simultaneously too objective and too literal. This is not something I’m really good at, I’m not sure how to get my opinions in here, especially when it’s a track like this- one that on paper sounds kind of upsetting, but is genuinely really cool and I like it a lot. There’s someone in the youtube comments for the music video comparing this track to the Tunnel Boat Ride from Willy Wonka and the Chocolate Factory, and I find it quite hard to disagree with them.

Anxiety in music represented this way is not something that’s for everyone. I think the best comparison here is to You Won’t Get What You Want, an album I’ve [discussed previously], and found similarly hard to convey. These songs are patently excellent, and I love them, and they’re a form of music I think needs to exist, but considering their nature and how intense they can end up, I totally understand not wanting to hear it. They’re a lot, both sonically and emotionally, and that’s an easy turn-off for people.

Track 4 is Sunglasses, the one I know the difference between album and single the best (as in, I know it at all). The instrumental of the single version is rougher, and the intro’s about a minute shorter (not that that tends to make a difference in a track this long), but the album version’s lyrics are significantly toned down.

I’m going to get this out of the way, in part because this is actually my favourite song on this album. The lyrics on this are still incredibly revealing, even as “nerfed” as they are- the song is very much about feeling protected, comfortable even, behind a pair of sunglasses, hiding his gaze as he’s attempting to escape his relationship with a rich girl, one that was set up in Athens, France and Science Fair. The bit that is less clear with the rewrite is the abusive nature of the relationship- the line “leave your Sertraline in the cabinet” is kind of left abandoned as a result. I’ll let you seek that version out if you want the gory details, I suppose.

Sunglasses is pretty clearly divided into two sections. The first is the very calm, almost tragic tale of getting lost in this relationship as it falls apart, with these little lines that sound almost beautiful behind all the angst and pain- like reminiscing about what could be. This section is driven away by the intensifying instrumentation, with the beat eventually slowing to a crawl and falling apart completely and eventually neatly dividing the track.

The second section is the most intense portion of the entire album, I think. The lyrics are barely controlled panic at best, the instrumentation slowly building once again towards this explosive verse. The vocal performance for this part of the song shows such an utter emotional rawness that it’s hard not to get mesmerised by its power, even as the lyrics don’t make a huge amount of sense at first. Seriously, hearing “Leave Kanye out of this!” and realising how much it sounds like an actual argument somebody was having transplanted directly into lyrics was kind of a trip.

I don’t know how to explain it, but I just love this track. There’s so much pure energy and emotion laden into it, the two sides of this relationship crumbling down, the nostalgia and frustration and the anger and anxiety. It’s a lot, but its great.

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The fifth song is Track X, possibly the softest song on the album. There’s a current of tension carried by the violin in the background, though the chill guitar and almost bubbly saxophone keeps the mood relatively lighter. It’s more relaxing, it’s got background vocals going oooooooh, it feels much looser.

As a result, I don’t have as much to say about it. I think this track is much easier listening than anything else the album has to offer, which is reflected in its much higher spotify listen count, but it means I have less room for it in my heart. When I’m listening to an album like this, I really want to be in to it, to feel it- and it’s kinda harder to do that with this sort of song.

The final track is the similarly mysteriously named Opus, the track with perhaps the most Prog Energy going into it. There’s fast looping guitar lines, elements coming and going, and some serious time signature shifts. This is the track that’s most like, say, a Thank You Scientist track- wait have I not talked about those guys on this blog yet? How the fuck.

Opus is a mix of fast, chaotic instrumental sections and extremely deliberate and dreary lyric parts. Lyrically, it’s the closest thing to catharsis the album gives- an acknowledgement that it’s all over, tinged with the regret of writing about these emotions in the sudden hit songs- after all, that means he’s having to relive them on stage every single time.

The catharsis does somewhat carry over to the instrumental, I feel. The drawn out, staircase-like brass feels like the album coming to its final rest. Of course, there’s a bridge in the way of that actually happening. The wailing and repetition of the final lines feels like this breakdown finally ending, the whole thing coming to a frustrating close. The things this album is about don’t fade so quickly, as the final notes of the song imply- it’s still there, softly creeping, waiting to build up and explode again, when you least expect it.

Uhh that’s everything I guess. Album’s great. I’m sure I’m not saying anything that hasn’t been said before by a smarter person, but For the First Time is an incredible piece of work for such a new group to put together, let alone the sheer weight of its emotion. I frankly don’t know how they could follow this up, because nobody makes this kind of album twice. Even if you somehow can bring this kind of power and pain to bear a second time, there’s absolutely no universe where that’s a healthy thing for you to do.

So I’m excited to see where Black Country, New Road goes from here. I can only hope it’s as good, but anything remotely approaching this level of quality would still be a successful work, in my opinion. It is ultimately still a niche within a niche, but it’s managed to catch enough critical acclaim to grow beyond that, so maybe…just maybe.

God okay next time I should talk about a lighter album. 9 Radiohead albums and then this? I should find something happier to talk about next week.

#ramble #music #for the first time #black country new road #god i relistened to the original version of sunglasses between writing and uploading this and its so MUCH

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insfiringyou · 4 years ago

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BTS - Early Morning (Jungkook x Young-soon)

Contains: Fluff. Light bickering.

This fic contains discussion around screening for Cervical Cancer (pap smear/smear test) which may be potentially triggering. You can find out more about how the test is usually carried out here. This scenario is set after Jungkook and Young-soon have moved to Incheon, after the events of ‘Home Again’.

We wanted to show some moments between the members and their girlfriends that may not seem grand or important in the long run, but that highlight some of the conversations they might have in private. We also don’t want to shy away from some of the arguments, disagreements or bickering that might take place. More couples to follow soon.

You can find out more about our headcanon universe and ongoing storyline here and more about our headcanon girlfriends here.

To read each member & their girlfriend’s headcanon universe fics in order, follow the links here: RM / Jin / Suga / J-Hope / Jimin / V / Jungkook & our full masterlist of fics and art can be found here

Content below the cut

The clattering of ceramic pots from the kitchen filled the hallway as Young-soon closed the front door. Her morning run around the neighbourhood had helped wake her up and she welcomed the damp sensation of her ponytail between her shoulder blades along with the layer of perspiration which glistened on her forehead. Since moving to Incheon, she had been meaning to take it up again just as she had as a teenager. Growing up near the coast had its advantages; inner Seoul had been too polluted most days to enjoy the hobby, but the faint breeze of the sea near her new apartment, just blocks away from her childhood home, made it easier to breathe. She heard the low, noisy buzz of the blender being turned on and traipsed into the kitchen. “You’re up early…”

Jungkook turned at the sound of her voice. “It’s seven.” He blinked, switching off the machine and reaching towards the draining board to grab a glass. The smoothie was a dark purple in colour and she observed a scattering of loose berries and fruit peel on the counter top.

“I thought you’d want to sleep in.” Reaching automatically to toy with the wet end of her hair, she swooped it casually over her shoulder. “What were you doing last night?” Her tone was casual but curious. The light in the spare bedroom had been on when she went to bed at midnight, and still on when she woke up, needing to use the bathroom at 3am.

“Did I wake you?” Frowning apologetically, he walked towards the kitchen table and took a seat.

“No…” She murmured easily. “I just figured you were playing that new game.”

He knew immediately which she meant; Hoseok had gifted the vintage package to him the week before; the cover image instantly filling him with nostalgia at the memory of playing it together years before, just after their debut. They would sneak off between practice to take it in turns, hoping they could level up and save the game before they were inevitably called back to work.

“I finished it.” He admitted with a guilty smile. In comparison to those days, it seemed he had all the time in the world to play.

She rolled her eyes but was unable to help matching his timid grin. “Of course you did.”

“I was looking at job advertisements.” He explained, making her scoff a little at the unexpected answer.

“You’ll upset your fans…” She teased.

“I meant for you.” He looked up from his smoothie, meeting her gaze.

“I haven’t handed in my notice yet.”

“You shouldn’t hand in your notice until you’ve found something else.”

She couldn’t help but smirk at his serious tone. “You seem to know a lot about it.”

“Yoongi told me…” He admitted gingerly, realising she would know he had been discussing her plans with the others.

Her shoulders relaxed as she sighed. “You don’t have to job hunt for me Jungkook.”

“I know...but since I was up…” He protested weakly, knowing she disapproved before giving in, changing the topic. He nodded towards the doorway. “I collected the post. There was a letter for you.”

“Oh?”

He watched her turn and head back the way she came, eyes settling briefly on her backside which curved against the pink fabric of her sweat pants. The ripping sounds of an envelope being torn open came from the doorway, followed by her low voice.

“Fuck!”

He glanced up, a little startled as she came back in the room, clutching a piece of paper along with what looked like a pamphlet of some kind. “What’s wrong?”

She placed the typed letter on the table with a heavy hand. “It’s just for my smear. The doctor keeps sending me letters.”

His eyes widened. “The doctor?”

She shook her head, more to herself than him as she paced. “I’ve been meaning to ring them, but it just keeps slipping my mind.” Her voice trailed off and she pulled a chair from under the round table, taking a seat opposite him.

“Is it serious?” He asked, voice full of concern.

“Kind of…” She replied, looking up at him. It was immediately obvious from his expression he had misunderstood and a small smile crept onto her lips. “It’s just a routine screening. The joys of having a cervix.” She murmured sarcastically.

“Cervix?”

“Yeah, they…” She started, wondering how to explain and instead reaching for the folded piece of paper. “Maybe you should just read the leaflet…” She passed it to him and watched him unfold it carefully, placing it flat on the kitchen table and reaching for his reading glasses. He was quiet while she watched him read the text, eyes moving along the lines as he started at the very top and worked his way down meticulously.

“So did you find anything?” She asked, breaking the stretch of silence.

“Mmm?” He mumbled, clearly engrossed in what he was reading. The leaflet was routinely sent to her every six months and outlined what was involved in the screening and how it was carried out. She had only properly read it once and had discarded them ever since, placing the folded sheet on the hallway cabinet with the intention of going back to it at a more convenient time, before forgetting completely and eventually throwing it away with the rest of her junk mail.

“The job search…”

“Oh.” He looked up briefly before turning back to the page. “Yeah, there was a PR role being advertised...you wouldn’t even have to drive.” He murmured distractedly.

“And the pay scale?” Her eyebrows raised with the tone of her voice, giving away her interest.

“More than you earn now.” A blush rose to his cheeks, realising he was giving away that he had, on more than one occasion, opened her mail by accident. “I think.” He added as an afterthought as his eyes skimmed over a scientifically rendered drawing of the female reproductive system.

“When’s the closing date?”

“Next Monday. There was an application form to fill in.” Looking up, he pointed to the pamphlet, eyebrows knitted together. “Do all women have to go for these?”

She shrugged. “Pretty much…”

His mouth lulled open in shock. “Does it hurt?”

Automatically, her lips twisted in response, remembering the first and only test she had been to. “It’s not the nicest feeling in the world.”

He pressed on uneasily, suddenly understanding her earlier remark when she tore open the letter. “And you’re overdue?”

Taking the leaflet from his grasp, she folded it back up with a light groan. “You sound like my mom.”

There was a pause before he looked at her. “I just don’t want anything to happen to you…” He said gently.

“It won’t.” She replied weakly.

Dissatisfied, he continued. “I could come with you? If it would make you feel better…”

His offer was genuine, but the thought of him seeing her like that made her cringe. “It’s honestly not that exciting…” There was a playful edge to her tone and he recoiled, realising how it might have sounded on his part.

“I didn’t mean...” He started feebly, before nodding back towards the folded information booklet, dutifully recalling what he had read. “It says it can be uncomfortable for some women. I thought maybe I could be with you? If it would make you feel better.” He repeated cautiously, cheeks visibly pink.

She sighed, giving in. “Okay.”

He settled back in his chair, clearly happy at her having agreed.

“What are you working on today?” She asked as her mind turned back to the reason he was up so early after having a late night.

“Just the finishing touches to the single.” He shrugged casually. “I’m due in the studio at midday.”

“Do you think you’ll go on tour?” She asked with interest. “When the album’s out I mean.”

Frowning, he shook his head, looking down at his folded hands. “I don’t think so.”

“Why not?”

Her chest seemed to fill with butterflies when he looked at her soberly. “Because I’d have to leave you.”

***

Thank you for reading. To read each member & their girlfriend’s headcanon universe fics in order, follow the links here: RM / Jin / Suga / J-Hope / Jimin / V / Jungkook

& Our full masterlist of fics and original art can be found here

& Our masterlist of preferences/most likely to/quizzes and fun stuff is here

You can support us by buying admins a coffee here (if you wish). :)

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shanethvarosa · 4 years ago

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Music Review: 2020

My blog has been a lot of things over the years, but it did originate as something I used to publicly review music; especially in the Visual Kei scene. Since I began the blog so many years ago, I had actually been hired to review Visual Kei and J-Rock music for an actual website: VKH-Press.com, work I am very, very proud of to this day. However, with not much news to comment on or work to critique, I haven’t been as active. Plus, personal issues always seem to stand in my way. However, I always take the time to discuss my passions at the end of the year. There were so many incredible releases, despite the COVID-19 pandemic, and so I wanted to take the time time to discuss my favorite releases and, maybe, the not-so-favorites as well. Quick shout out to Bastille’s Goosebumps EP and Megan Thee Stallion’s Good News LP as I did not get to listen to them before I wrote up my lists, but were still excellent releases. See my thoughts below!

Overall, there were about 75 albums or groupings of albums I listened to this year and split them between various tiers. Starting with the bad tier, there were actually only ten albums listed here and mostly just because they were seemingly unnecessary collection albums. For example, another Satsuki collection? Rides in ReVellion releasing two greatest hits LPs after only five years of work? Beyonce releasing The Lion King: The Gift again? None of those felt like necessary releases. There weren’t many albums that really screamed bad to me this year, but I really could not stand Vanessa Carlton’s “Love is an Art” or Justin Bieber’s “Changes.” The only other albums on this tier were just underwhelming compared to what I know the artist is capable of, but the “best bad tier album,” in my view, was The 1975′s “Notes on a Conditional Form.”

The mid-tier albums had all sorts of reasons for being only mid-tier. They weren’t quite bad or outright unnecessary, but are mostly by artists who put out work that was nowhere near the caliber of their usual work or were re-releases or other collection albums. For example, Tove Lo’s “Sunshine Kitty: Pawprint Edition” or Man With A Mission’s remixes/b-sides/covers albums. Nice to have with good quality music, but I wish we’d just have had brand new EPs or LPs.

The good-tier albums were all really excellent releases, but didn’t hit home the way anything on the “God-Tier” list did. Here, I’d like to share a quick top ten:

10. Taeyeon’s “Purpose: Repackage” & Japanese EP, “#GirlsSpkOut” 9. Charli XCX’s “How I’m Feeling Now” 8. Miyavi’s “Holy Nights” & “Holy Nights: 2020 Lockdown” 7. TK’s “Sainou” 6. PVRIS’s “Use Me” 5. Buck-Tick’s “Abracadabra” 4. Katy Perry’s “Smile” 3. Alicia Keys’ “Alicia” 2. Dua Lipa’s “Future Nostalgia” & “Club Future Nostalgia” 1. Ava Max’s “Heaven & Hell

Without furhter ado, though, the God Tier Top 25:

25. Acme’s We Are Visual Kei: Essentially a collection album of several songs that were b-sides that never made a full-blown album. This LP was loaded with some of Acme’s best work and shows that they are going to be here for a long time, despite Div not quite working out. Recommended tracks: Mononoke Requiem, Gekiyama Celluloid, Houkago no Shiiku

24. Alanis Morisette’s Such Pretty Forks in the Road: Admittedly, a huge fan in the 90′s and loved her cover of Seal’s Crazy. However, before this album I didn’t really listen to much of her body of work and I can see why today’s youth might not listen to this album. It is very “adult” insofar as it deals with her struggles in marriage, parenting, religion, etc. Her vocal performance is exceptional and her song writing remains some of the best in the business. Recommended tracks: Smiling, Nemesis, Reasons I Drink.

23. Niall Horan’s Heartbreak Weather: Not my usual cup of tea, but for some reason Niall’s music makes me feel softer than normal. He’s very cute and charming and his words are always so romantic. It feels more genuine than the music made by other members of One Direction and kind-of reminds me of earlier Taylor Swift writing, but from a male perspective. Recommended Tracks: Put A Little Love On Me, Arms of a Stranger, Still.

22. K/DA’s All Out: I don’t even really understand what this is, but I love it. There’s something to do with League of Legends? Cartoons? International pop stars? Whatever it is, I’m totally obsessed. These songs just completely slap. Recommended Tracks: The Baddest, More, Drum Go Dum.

21. Darrell’s Brilliant Death: This might even “officially” be a single, but there’s enough content to market it as an album. Darrell is a band formed from the ashes of Deathgaze and Ai’s solo project. Who knows why Ai didn’t just continue after his solo album, Confusion, but he decided to go back to the band-format with confusingly-named Darrell. This album is then, incidentally, mostly Deathgaze covers. It brings the production into the new era and gives you a lot of nostalgic love for old hits. Recommended Tracks: Brilliant Death, Evoke the World, Abyss.

20. Alice Nine’s Fuyajou Eden & Kuro to Wonderland: Neither album was particularly long, in fact these were glorified EPs that could’ve been merged to one two-sided LP, but in either case... Both albums had something really special to offer and felt like a true comeback after years of name changes and finally going back to their original, kanji-styled name. Recommended Tracks: Kakumei Kaika -Revolutionary Blooming-, Testament, Replica, Glow.

19. Mucc’s Aku: This album felt very long in the making after a series of weird singles that didn’t feel like they were going anywhere. Ultimately, a lot of those singles did not make the album including my favorite one: Taboo. The resulting album, though, did feel very cohesive and thematic and even featured one of this year’s heavy hitters: Hazuki. Recommended Tracks: Aku -Justice-, Memai, Ameria.

18. Miley Cyrus’s Plastic Hearts: This person is absolutely one of my favorite people in music. I’m pretty sure they have comeout as genderfluid/non-binary, so I want to stick with safe pronouns, just in case. However, they’ve always been a favorite and as they’ve come out as such a champion for the LGBT, I love them even more. The album though gave me a lot of hype for something very 80′s rock, but didn’t quite give me what I expected. All in all, the music was fantastic, just a little off-beat from expectations. Recommended Tracks: Gimme What I Want, Angels Like You, WTF Do I Know.

17. Rina Sawayama’s Sawayama: I didn’t expect to fall in love with this girl the way I did. My boyfriend recommended “STFU” to me as kind of a joke because the song discusses a lot of Asian racism that I’m always criticizing people in my life for falling into, but then the song was so bad ass I checked out the album. There were so many different types of music on it and she really did a good job with all of them. Then, with the deluxe edition coming out and the hardcore club banger “Lucid” being involved... Just really brought it all home. Recommended Tracks: Tokyo Love Hotel, Lucid, Fuck This World.

16. Amber Liu’s X: This was just an EP, but every song on it was great. Amber Liu was from f(x), a K-Pop Icon Group, but she always seemed like the odd one out. She was such a tomboy, so silly and funny all the time, and didn’t really behave like other Korean idols. I mean, really, she isn’t actually even Korean. I believe she’s Chinese American. In either case, the EP really noted some of her own personal strugles in the business and also remaining pretty fun at parts too. I saw her live in Philly before COVID-19 and she was truly excellent. Recommended Tracks: Numb, Stay Calm, Other People.

15. Blackpink’s The Album: Not much of an album at only 8 tracks, but that’s K-Pop for you. I bet next year I’ll be putting “Blackpink’s The Album: Repackage” on my top 25 list. The quality of the music was pretty dope though, all things considered. It was a very solid debut effort with all of their previous songs being somewhere in the same lane as this one. I still kind of believe they are a reminder of what 2NE1 could have been, but they’re doing well enough on their own. Recommended Tracks: Ice Cream, Lovesick Girls, Pretty Savage.

14. Hazuki’s Year Over All: Kind of a weird way to word it, but Hazuki basically released two albums this year in different formats. His work with his band, Lynch., was pretty magnificent. I’m not one to usually dwell on a Lynch. album. Their singles or featured tracks are what I usually get into, but the actual album (Ultima) really did a good job of showing how versatile Hazuki can be. His solo album, Souen -Funeral-, was an entirely stripped down, gothic orchestral album of Lynch. covers and other J-Hard Rock artists. Hearing it done like this was almost transcendental. Recommended Tracks: Xero, Idol, Ray, D.A.R.K.

13. Sam Smith’s Love Goes: They had me scared that their album wasn’t coming this year once they pushed it back, back in May. Then again, at the time, an album called “To Die For” was probably super tone deaf. In any case, literally every single released for this album had me in love. So, when they all got included in the final version, I was thrilled. Sam gave us a bonus song after the album as well, but I can see why that one didn’t get on. In any case, this is a huge step up from “The Thrill of it All,” which I didn’t really care for. Recommended Tracks: Another One, Dance (’Til You Love Someone Else), Forgive Myself.

12. Troye Sivan’s In A Dream: I love this kid. He’s so gay and so not shy about it and it really makes me smile. The EP comes after his last LP, Bloom, where the title track basically talks about bottoming for the first time and this new EP deals with a few other queer issues over weirdly produced beats that just... make sense. Recommended tracks: Stud, In A Dream, Easy.

11. Matenrou Opera’s Chronos: Unfortunately, this band just lost their guitarist again. Their original, Anzi, was basically the most consummate guitarist in the visual kei scene that wasn’t Hizaki and he left them. Their sound wasn’t quite right since and they seemed to just get it back with Chronos when Jay left them. I guess we’ll see what they do next, but I think Chronos could be their last great release. Recommended Tracks: Chronos, Silence, Reminiscence.

10. BoA’s Better: A very recent release that hasn’t had much time for me to digest. This is strange for me to put it so high on my list for that reason, but BoA is one of my all time favorites. She never disappoints me. This album was no different. It wasn’t exactly up to par with “Woman” or “Watashi Kono Mama de Ii no Kana,” but it definitely gave us some new and very iconic Queen BoA bangers. Recommended Tracks: Cut Me Off, Start Over, Temptations.

9. Kesha’s High Road: A semi-step down from Rainbow, only because a lot of the same melodic elements and, sometimes, even beats were used on this album too. However, her vocal performance was outstanding and she even gave us a new dirty-pop song with some interesting indie-pop tracks to go with it. Plus, who doesn’t love a Big Freedia feature? Recommended Tracks: Resentment, Raising Hell, Tonight.

8. Lady Gaga’s Chromatica: Anyone who knows me knows I don’t really love Gaga anymore. After all the drama with Madonna and her experimentation with “Joanne” I didn’t think I’d ever like her music again. However, she definitely won back big points for me on Chromatica. It was finally fun, weird, dancey, and then simultaneously emotional and I was really able to get back into it. She’s always had the voice, but on this one it also showed us that she still has what made us love her. Recommended Tracks: Rain On Me, Plastic Doll, Enigma.

7. Koda Kumi’s My Name Is... Angel + Monster: She is, very likely, my Japanese Pop Queen. She always makes these absolutely outlandish bangers of dance tracks that have such a great attitude and beat and when she released re(CORD)... last year? 2018? Who can remember... I thought she could never outdo herself. Then she released “Lucky Star” and I was floored. I was a bit disappointed when they were only to promote a “My Name Is...” collection album, but then, to my surprise, a full set of new tracks came out just after that just blew me entirely away. Guess the last 6 albums must be pretty great, huh? Recommended tracks: Killer Monster, Work It!, Alarm.

6. Grimes’ Miss Anthropocene: I’ve never been a big fan of Grimes, but when Violence came out I was really looking forward to whatever album this was going to end up promoting. The song is actual fire, but then the LP ended up being some kind of experimental Gothic Pop with Asian Pop influences I never expected. I doubt I’ll ever find something she does this good ever again, but it was really a musical light in the darkness of this year. Recommended tracks: Darkseid, Delete Forever, Violence.

5. Kylie Minogue’s Disco: Admittedly, my draw to Kylie has always been that she is like some kind of Australian Madonna. Madonna being one of my all time favorite artists... In fact, number 2 for all women I listen to, Kylie has some big shoes to fill with her sometimes generic pop that she puts out. However, I haven’t really truly loved a Kylie song since “Get Outta My Way” and then this album comes out filled with tracks to love for the rest of time. Recommended Tracks: Miss A Thing, Till You Love Somebody, Magic.

4. Chanmina’s Notebook/Angel: I don’t have really any way of knowing how popular Chanmina is in Japan or if she is as popular in the Japanese Queer Scene as she should be, but god damn does she know what she’s doing. Her music is raunchy, bitchy, and condescending at it’s highest and deeply personal at it’s most mellow. There is no “lowest.” “Notebook” was a two-sided album and “Angel” a strong follow up EP, but all the recommended tracks are from “Notebook.” If you have not listened to “Picky”.... go do it now, I’ll wait. Recommended tracks: Picky, Baby, Lucy.

3. The Weeknd’s After Hours: Incidentally, I got into The Weeknd after someone said something shitty about him here on Tumblr! I took their likely-valid criticism and went to check him out for myself and I gotta say, I love his work. The beats are literally always on point and his voice is like silk. This album provided more than a few iconic songs and I always can’t wait to see what he does next. Recommended Tracks: Alone Again, Heartless, Blinding Lights.

2. Halsey’s Manic: The singles and features she did between Hopeless Fountain Kingdom and Manic gave me such insanely high hopes and I was not disappointed. HFK was a strong album of course, but this was near perfection for me. I think the production of this alt-pop album was the star of the show because it wasn’t all one way, there were heavy-bass songs, interesting piano riffs, striaght up punk rock, all of it. She really made an album quite like it’s namesake. Recommended Tracks: Ashley, Killing Boys, Still Learning.

1. Dexcore’s Metempsychosis: A newcomer to the visual kei and death metal scene, they’ve been putting out single after single for years in preparation for their extemeley long and multidaceted debut album. With a total of about 33 songs, the entire second disc was rerecorded singles from their early days and some even got new lyrical treatment. The main series of songs were, of course, also totally flooring and all of the recommended tracks are the new ones. If you haven’t checked them out by now, you have to! Recommended tracks: Cibus, Scribble, Period.

#personal #music #2020 #visual kei #k-pop #dexcore #halsey #the weeknd #chanmina #kylie minogue #grimes #koda kumi #lady gaga #kesha #BoA

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honeyopinion · 4 years ago

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20/20 Albums of the Year

Circles by Mac Miller | Hip-Hop, Soul, Funk Released: January 17, 2020

Best Album For... Pouring One Out for Mac

I wrote a few different drafts of this album summary, and none of them felt like they really fit the impossibly large bill of accurately describing the posthumous importance or brilliance of this album. If you are a fan of hip-hop or soul music of any kind, try to give this piece of work a chance. I for one, used to judge Mac based on his early frat rap days in the late 2000s. But a decade later he came to leave the world with one of the most surprising and frankly impressive artistic evolutions that I’ve been able to witness in real time. RIP Mac.

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Start With: “Circles” or “Everybody”

Marigold by Pinegrove | Alternative Country and Folk Rock Released: January 17, 2020

Best Album For… Passing Through a Small Town on a Cloudy Winter Day

Pinegrove was one of the last great concerts I got to experience before the pandemic. And it was my favorite performance of theirs from the last 6 years of seeing them play live. Is this my favorite album of theirs? Honestly, it’s not. But I still find it extremely enjoyable, and the memory of seeing these songs performed live, along with some of their classics, was enough for me to include it on this list. This is an album that marks Pinegrove’s exit from their pop punk roots. It’s still sentimental, but much more country and folk rock focused vs. anything trying to be associated with emo or punk.

Spotify Apple Music YouTube Pandora Start With: “The Alarmist” or “No Drugs”

Watch This Liquid Pour Itself by Okay Kaya | Synth Pop, Art Rock, Folk Released: January 24, 2020

Best Album For… Crywanking at 3am, Bathed in The Dull Light of Your Overheating Laptop

What if Feist and Father John Misty had a secret love child? They might sound something like Okay Kaya. Self proclaimed “Singer ~ Crywanker,” Okay Kaya brings serious BDE to weirdo art pop that she seems like she could be a plant from the mind of Nathan Fielder. Kaya delivers with such deadpan precision as she rolls out line after line of sarcastic joy, staring blankly at our dystopian reality. “Here I am, the whole world is my daddy,” “Netflix and yeast infection,” “Sex with me is mediocre,” “I just want us to do well like Jon Bon Jovi’s Rosê,” and, “My parasite and I are blushing / In the zero interaction ramen bar,” are just a few examples of some of her memorable and biting lyrics. The entire album is both a critique and nihilistic fondness for the absurdity of our lonely technological society, not quite sure how to deal with taboos like repressed female sexuality, depression, and codependency.

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Start With: “Baby Little Tween” or “Asexual Wellbeing”

UNLOCKED by Denzel Curry and Kenny Beats | Hip-Hop Released: February 7, 2020

Best Album For... Nodding Your Damn Head To, Feeling Cooler Than You Actually Are

I had to double check that this was an album. Clocking in under 20 minutes, this collection of songs feels more like an EP, especially with the track titles that purposefully look like file names and placeholders. But for a short album, Denzel wastes no time, furiously zigging and zagging effortlessly over Kenny Beats’ 90s New York-indebted production (ad libs and all). Kenny pulls out samples of an array of pop culture references made by Denzel (like quotes from movies and weapon sound effects like a lightsaber) — as he rotates his flow between admirable impressions of DMX, Nas, and Joey Bada$$.

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Start With: “So.Incredible.pkg” or “DIET_”

Cardboard City by Zack Villere | Pop, Electronic, R&B Released: February 14, 2020

Best Album For… Pal-ing Around With Your Friends From High School, Maybe Quoting Superbad At The Same Time

The first time I watched a music video from Zack Villere, I noticed the top comment said: “how did frank ocean get trapped in mark zuckerberg.” And while that definitely gets at the heart of how Zack Villere presents himself, he is not a phenomenal singer like Frank Ocean is, nor does he come off as an asshole like Mark Zuckerberg does. I would say that he is just a slightly awkward nerdy white guy who loves hip-hop production and R&B melodies. So the better question is really, “how did drake get trapped in michael cera?” This premise should not work at all, but somehow it does. This is only Villere’s second album, but he shows some serious production and songwriting chops, plus a commitment to his delivery that comes across as genuine, charming, and unique.

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Start With: “Grateful” or “Superhero Strength”

The Slow Rush by Tame Impala | Psych Rock, Synth Pop, Disco Released: February 14, 2020

Best Album For... Throwing a Silent Disco For One

Tame Impala continues on their now 10 year streak of psych rock dominance. Along the way we’ve seen Kevin Parker master and stretch the boundaries of psychedelic production. This has resulted in his music coming as close to sounding like the best aspects of The Beatles, while also expanding into hip hop drums, R&B hooks, plus more and more electronic elements. This is an album that I was not super impressed with when it initially came out, but as we entered the pandemic and were tasked with finding small joys in staying at home all the time, I found myself going back to this album and appreciating the themes of solitude and self reflection that Parker has drawn from throughout his career.

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Start With: “Posthumous Forgiveness” or “One More Hour”

1988 by Knxwledge | Hip-Hop Released: March 27, 2020

Best Album For... Pumping Your Brakes and Driving Slow, Uh *Homie* Although this album is named after a year in the 80s, the sound here is a perfect portal back to 90s golden era hip-hop, with all the gospel, soul samples, and the kind of deep bass you want to feel in your chest. This is the rare, largely instrumental hip-hop album that I find myself going back to, other than works from the legendary J Dilla and MF Doom. Knxwledge is good friends and a frequent collaborator with Anderson .Paak (in the form of NxWorries). Here we get Anderson to grace us with his presence on the track “itkanbe[sonice]”, and of course it sounds just like an authentic vintage soul sample. When I hear this collection of songs it makes me wish I still had a car, so I could inevitably damage my speakers listening to this.

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Start With: “dont be afraid” or “thats allwekando.”

Future Nostalgia by Dua Lipa | Pop, R&B, Funk, Disco Released: March 27, 2020 Best Album For... Alarming Your Pet With Your Enthusiastic Lip Syncing

This album is a pure sugar rush. Like Bruno Mars with the help of Mark Ronson, or Calvin Harris a few years ago, Dua has harnessed a nostalgia (it’s even in the title, wink) for disco, funk and R&B, and is instantly a sexy, catchy, not-so-guilty pleasure. It’s sad that the majority of these songs are all bonafide club hits that didn’t have a proper home this year … except for my living room. And hopefully yours.

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Start With: “Pretty Please” or “Future Nostalgia”

Hold Space For Me by Orion Sun | Alternative R&B and Hip-Hop Released: March 27, 2020

Best Album For... Wishing Frank Ocean Was Your Dad

“Alternative R&B” is a contentious term, but what else would you call one of a few R&B singers cool enough to make it onto (NYC indie darlings) Mom+Pop Records?? On one hand, she brings the vulnerable and introverted lyrics of an indie singer songwriter like Tracey Chapman, crossed with the raw presence and sweet melodic delivery of a true R&B star like Aaliyah. I’d even go far enough to refer to her as the musical stepchild of Frank Ocean and SZA.

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Start With: “Ne Me Quitte Pass (Don’t Leave Me)” or “Lightning”

You and Your Friends by Peach Pit | Indie Rock and Dream Pop Released: April 3, 2020

Best Album For... Going Back To Your College Town To Crash A Party

Peach Pit seem like they would be cool dudes to hang out with. You have no problem picturing them as the band playing a house show in an indie movie about college kids. And that’s because there’s a familiarity to the scenes that their songs portray, of stumbling through your 20s, either being too dumb or having too much fun to notice. It’s funny to refer to this as “Indie” rock since this is Peach Pit’s major label debut with Columbia Records. But It has all the trappings of Indie; sticky melodies, gentle reverb, an “I’m not trying that hard” vibe, and lyrics that are oddly specific enough to be interesting, but still vague enough to be relatable.

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Start With: “Feelin’ Low (Fuckboy Blues)” or “Shampoo Bottles”

Heaven To a Tortured Mind by Yves Tumor | Psych Rock, Indie Pop, Post-Punk, Alternative R&B, Experimental Electronic Released: April 3, 2020

Best Album For... Tearing Up The Fucking Dance Floor With Your Hot Robot Girlfriend

If Tyler the Creator, Alex G, King Krule, and Blood Orange all got into the studio together and dropped a shit ton of acid on Halloween, their recording session might sound something like Heaven To a Tortured Mind… And even then, you still might have trouble putting your finger on exactly what you’re hearing. “Dream Palette” is a good reference track for Tumor’s most wild and mesmerizing qualities. The biggest styles of the past half century of music have been loaded into this gleefully effective genre blender, with blades of dissonance slicing everything up, creating a surrealist sonic smoothie.

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Start With: “Super Stars” or “Dream Palette”

The New Abnormal by The Strokes | Indie Rock, Dirtbag Disco, Synth Pop Released: April 10, 2020

Best Album For... Mixing Yourself Another Drink This Saturday Night

Back from the dead, The Strokes return with their first album in 7 years to turn some heads and settle back into some old habits. The charming messy haired garage rock of the early 2000s still pops up here and there, but this is really a record where the group is mature enough to show you that they actually are trying, and are unafraid to take joyous swings for the fences. Julian Casablancas pushes his scratchy alley cat yelp of a voice into something more vulnerable, sunny, and sweet, like he asked for a piña colada (you know, with one of those little umbrellas) instead of a double shot of scotch before hopping up on stage… Or maybe he did both. But these days, everyone is looking for some sort of break from our groundhog day lives any way that we can. Sometimes that sounds like selling out, or depending on how you look at it, stepping up. This album is the result of a group of old friends who got together to make music they simply want to make for themselves. Now far removed from the 2000s New York scene where their younger selves were acting too cool and disaffected to care about having fun.

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Start With: “Eternal Summer” or “The Adults Are Talking”

The Loves of Your Life by Hamilton Leithauser | Indie Rock and Alternative Country Released: April 10, 2020

Best Album For... Drinking Down At The Docks, Watching The Sun Set

While I am a fan of The Walkmen, I have no idea what their frontman Hamilton Leithauser looks like or how he dresses. But hearing these songs off of his latest solo, I imagine the following: a member of Mumford and Sons if they were edgy and cooler, giving off a “cowboy rocker meets depression-era dock worker” aesthetic. That’s exactly how his music comes off to me. It’s a convincing blend of blues rock, Americana, and old timey country music. All expertly narrated by dusty country guitars and standup bass, tarnished horns and flutes, and what I imagine to be a restored saloon piano. The Loves of Your Life originally started as a collection of short stories, each about characters based on both people he knew and strangers. Leithauser then wrote the music separately, and finally came to mix and match their parts together in a surprisingly convincing fashion to create the album.

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Start With: “Wack Jack” or “Cross-Sound Ferry (Walk-On Ticket)”

What Kinda Music by Tom Misch and Yussef Dayes | Neo-Soul, Electronic, Hip-Hop

Released: April 24, 2020

Best Album For... Cooking For Someone You’re In Love With

Exactly what kind of music do Tom Misch and Yussef Dayes make? It’s orchestral, it’s jazz-infused, it’s hip-hop beats joined with gentle soul. It’s a little sexy, it’s a little mysterious, and you’re going to want to listen to it a whole lot. That’s it. That’s what kind of music it is! Send tweet.

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Start With: “What Kinda Music” or “Storm Before The Calm”

Petals For Armor by Hayley Williams | Electronic Pop and Art Rock Released: May 8, 2020

Best Album For... Browsing Depop for Your Next 80s Normcore ‘Fit

Hayley, Hayley, Hayley. You are too good for this wretched world!! After exploring more adventurous sounds and genre hopping over the last few Paramore records, Hayley decided to go out on her own. This really frees herself from the expectations that come along with being the face and heart of a wildly popular band for the last 15+ years. Thom Yorke fans rejoice, because Hayley Williams has a clear admiration for Radiohead’s haunting indie electronic vibe, while emoting some pain and darkness atop her love for 80s pop and art rock (think Genesis, Devo, The Talking Heads). This is a promising new avenue for Hayley to explore herself and process her pain and desire completely on her own. I see this new project of hers only blooming further from here.

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Start With: “Simmer” or “Sudden Desire”

Set My Heart On Fire Immediately by Perfume Genius | Indie Pop and Art Rock Released: May 15, 2020

Best Album For... Daydreaming That You Were Somewhere Else

For his 5th studio album, Perfume Genius enlists production wizard and guitar god Blake Mills, along with Grammy Award-winning arranger and multi-instrumentalist Rob Moose to create a beautiful swirling mosaic of 80s pastel pop that also packs serious classic rock grandeur. Bass guitar dances between satin smooth lines on one song to churning distorted currents on the next. Sparkling string arrangements and organs bleed together to expose a fading sunset that you’ll want to try and hold in your hands to keep it in sight. Perfume Genius is unafraid to challenge traditional masculinity, packing a 21st century queer machismo into both the quiet moments and jubilant explosions.

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Start With: “Without You” or “Describe”

græ by Moses Sumney | Indie Pop, Art Rock, Neo-Soul, Psychic Folk Released: May 15, 2020

Best Album For... Astral Projection 101

I mean this in the best way possible, but I think that Moses Sumney is a witch. Or maybe a wizard? There’s no other reasonable explanation for the level of creativity and wonder that he summons. This album feels like a private concert by a waterfall (similar to one on the cover), with ethereal pleas, and heavy ideas—like meditating on what lies beyond the constraints of the physical self and reconsidering how well we can actually trust memory and the mind. Sumney layers his voice to create the effect of a ghostly choir, accented by a stark intimidating falsetto that reverberates through the ruins of an abandoned temple where Sumney is the only one in attendance.

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Start With: “Cut Me” or “Polly”

WILL THIS MAKE ME GOOD by Nick Hakim | Psychedelic Neo-Soul Released: May 15, 2020

Best Album For... Playing Pool in a Hazy Dive Bar

Nick Hakim is a silky smooth smokey crooner who paints with warbly piano loops, dreamy reverb-heavy guitar, boom bap beats—not to mention a falsetto that would make Smokey Robinson jealous. Clearly a fan of Motown and 60s jazz, Hakim could be considered a peer of Thunder Cat and Anderson .Paak’s to a degree. I remember seeing him perform at Music Hall of Williamsburg a few years ago. The performance ended with him falling down on stage (presumably from being under the influence of multiple substances). But while the song continued he popped back up and belted an impressive high note like it was nothing, drink in hand. And it’s that kind of messy beauty that also makes this album so engrossing. Like watching the eye of the storm get closer and closer, but unable to look away from the sheer magnetism that nature can wield.

Spotify Apple Music YouTube Pandora Start With: “All THESE CHANGES” or “ALL THESE INSTRUMENTS”

RTJ4 by Run The Jewels | Hip-Hop Released: June 3, 2020

Best Album For... Making Your Next Protest Sign

Run The Jewels’ fourth outing might be the most unapologetically angry rap album in the “fuck this” year of 2020. And it reminded me that I should absolutely still be furious about everything that happened during this groundbreaking yet terrifyingly familiar year: country wide protests over the continued murder of innocent black people at the hands of the police, government drone strikes and detaining kids in cages, the state of our environment worsening—and that’s not even addressing the pandemic or election. Killer Mike and El-P are here to scream from the rooftops that our current system of cutthroat capitalism and white supremacy is killing the planet and its inhabitants, and I’m glad that they’re using their platform to continue to sound the alarm.

Spotify Apple Music YouTube Pandora

Start With: “out of sight” or “ooh la la”

Your Hero Is Not Dead by Westerman | New Wave Revival and Indie Pop Released: June 5, 2020 Best Album For... Wanting Your Old School MTV

The cover of Westerman’s first proper album is mostly black and white, except for the title, which is scrawled out in lettering which spans the Crayola color spectrum. It’s an album that on the surface is cold and buttoned up, but when these choruses open up, the maximalist 80s power pop bursts like the bulbs of a neon sign. There’s a level of even-keeled cool and confidence in small moments on display here that makes this relatively new artist seem well beyond his years. Having seen him play at Rough Trade a few years ago (opening up for the stellar Puma Blue), the songwriting growth on display on this record is impressive. I’m only sad that there wasn’t an opportunity to have seen him play these new songs live.

Spotify Apple Music YouTube Pandora

Start With: “Easy Money” or “Confirmation (SSBD)”

Punisher by Phoebe Bridgers | Indie Rock and Alternative Country Released: June 18, 2020

Best Album For... Burning Incense and Breaking Out a Ouija Board to Talk to The Ghost of Your Former Self

This is without a doubt, a career defining release for Phoebe. Taking everything she’s learned from writing, performing, and touring with the likes of Lucy Dacus and Julien Baker (in boygenius), and Conor Oberst (in Better Oblivion Community Center), Bridgers levels up to become the truly prolific singer-songwriter she’s been telling us she would always be. Bridgers has explained her personal definition of “a punisher” as a well meaning person who’s, “just talking to you and they don’t realize that your eyes are glazed over and you’re trying to escape.” Vital to understanding this album and its central message is that Phoebe finds herself caught between the contradiction of falling victim to this phenomenon while also doing it herself, especially if she ever met her musical idol, Elliott Smith. Punisher serves as a warning to her audience that if you focus too much on trying to find yourself through other people (via escaping through fandom, drugs, toxic relationships), you’ll always feel lost and dissatisfied, without the proper self awareness to ever quite know why.

Spotify Apple Music YouTube Pandora

Start With: “Garden Song” or “ICU”

Women In Music Pt. III by HAIM | Rock, Pop, Folk, R&B Released: June 26, 2020

Best Album For... Preparing For A Better 2021, lol

With this album, HAIM skyrocketed to the #1 position of family bands that start with an “H.” Sorry, Hanson! But seriously, HAIM has outdone themselves on this one. If there was one album from this list that I would dub my personal AOTY, this would be it. You might wince at any tracklist longer than 10-12 songs these days (I know I usually do), but almost every song proves itself worthy, pulling at a different thread of my heart until there’s nothing left. Sunshine State Beach Pop? Check. Blues Tinged Dad Rock? Yup! Dive Bar Country? Mmhmm! No, wait, what’s that you say, Glitched-Out R&B? Yes, yes, and yes. You can have it all, sister! ‘Cause when you’re Haim, you’re family! ;) And these three “women in music” continue to prove that they are just about the best Assorted Pop Rocks(™) act in the world right now.

Spotify Apple Music YouTube Pandora

Start With: “I’ve Been Down” or “Don’t Wanna”

Lianne La Havas by Lianne La Havas | Neo-Soul and Indie Pop Released: July 17, 2020

Best Album For... Sipping Coffee and Journaling on a Weekend Morning

This album exudes a warm vulnerability, like a comforting hug we all needed this year. On her third album, Lianne La Havas makes the risky decision to self title it, a move that artists make when they believe that it is the piece of work that they most want most directly associated with their name. It’s one thing to name your first album after yourself if you can’t think of anything else at the time, but to make a self titled album in the middle of your career, it means that you are sure about having captured who you really are and who you want people to remember you as. “If I love myself, I know I can't be no one else,” La Havas admits on the standout track, “Paper Thin.” She knows that she will meet her destiny and reach self actualization, but only through self love. And finally, I cannot overstate how breathtaking La Havas’s voice comes across on this album. The strength and control on display in her vocal tone and vibrato is quite a spectacle.

Spotify Apple Music YouTube Pandora

Start With: “Paper Thin” or “Sour Flower”

Limbo by Aminé | Hip-Hop and R&B Released: August 7, 2020

Best Album For... Trying and Get Over Kanye With

On Limbo, Aminé establishes himself as one of the torchbearers of soul-sampling, lyrics-driven hip-hop that still cares about storytelling, skits, and presenting vocals clearly. Kanye West, Drake, and J. Cole all paved the way for someone from the next generation like Aminé to keep the dream alive and avoid succumbing to the “feel good, don’t think” form of passive listening that mumble rap has made the standard for mainstream hip-hop.

Spotify Apple Music YouTube Pandora

Start With: ��Pressure In My Palms” or “My Reality”

Shore by Fleet Foxes | Folk and Indie Rock Released: September 22, 2020

Best Album For... Running Along The Beach With Your Arms Stretched Out

It was really kind of Robin Pecknold and co. to have released an album this triumphant, calming, and awe-inspiring during the year of our Lorde 2020. On behalf of myself and anyone else who suffers from Seasonal Affective Disorder, the SAD people of the world really needed this, man. And to anyone who is quick to judge these beard-o’s of being boring, you’re simply not using your ears properly. Yeah, you know those two things on either side of your head? Get the gunk out of them! That way you’ll hear the choir of angels with acoustic guitars who are here to guide us through quarantine and beyond.

Spotify Apple Music YouTube Pandora

Start With: “Can I Believe You” or “A Long Way Past The Past”

Listen to all of these albums together in our playlist.

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watchathon · 4 years ago

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The 1st Day of Christmas

In case you’re finding this post just by browsing the tags I’ve used, this is the Watchathon, a blog where I watch a movie or TV show and then write a review of what I watched.

Right now, I’m doing the 12 Days of Christmas, a 12-day-long Christmas special where each day is a different Christmas movie or special decided by a randomizer. And today... *clears throat*

On the 1st Day of Christmas, the randomizer gave to me~

Grandma Got Run Over By A Reindeer, based off the hit novelty song and aimed at an audience that was born decades after the hit novelty song was! Infamous for being a “So Bad, It’s Good” kinda Christmas special, though I always genuinely liked it as a kid. But does it hold up? Let’s find out as I watch this special for the first time in about a decade.

…Welp. I’ve finally found something from my childhood that doesn’t hold up.

It’s not that this is a terrible movie. It’s fun, and nostalgic for folks my age.

But every reason that it is fun has a big ol’ asterisk.

The characters are likeable, but they’re all very bland. Jake believes in Santa, he loves his grandma, and he doesn’t want the store to be sold. That’s all I can really say about our main protagonist.

It’s not like these characters have to be super-deep. My favorite Christmas special doesn’t have very deep characters. But that one has characters that are interesting enough to make up for it.

And the only character in this special that could really apply to in my eyes is the titular Grandma, who isn’t present for over half the movie and then spends much of the screentime she does get with amnesia that renders her not herself.

The songs are great! …But they’re all very forced. They’ll come out of absolutely nowhere, and they could all be removed except for the title song, without anything of value lost as a result.

If most musicals work under the idea that musical numbers happen when a character’s emotions are too strong for dialogue, this musical works under the idea that musical numbers happen whenever there’s an excuse (no matter how weak) to insert a song from the novelty album this movie’s based on.

So on, and so on. I enjoyed this, to be clear. Nostalgia’s one heck of a drug. Plus, I’m a sucker for “So Bad It’s Good” stuff.

That second one, especially. I watched this again with my little sister after the first draft of this post, and riffing on it with her was an absolute hoot. We had to pause the movie at points just to let the laughter out. If you love to laugh at bad movies, and especially if you have friends willing to laugh along with you, then this might well be right up your alley.

I would recommend this to people who watched it as a kid back when Cartoon Network aired Christmas specials not based on one of their shows. I would recommend this to people who like “So Bad It’s Good” stuff.

To all the rest? I’d say skip it.

Now, if you’ll excuse me, I’ve got to sort out all the confusing feelings Cousin Mel has given grown-up me...

#Christmas #12 Days of Christmas #Grandma Got Run Over By A Reindeer

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thisselflovecamebacktome · 4 years ago

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My top 5 albums for 2020

I typically make this list at the end of December each year, but to be honest, none of the remaining albums that are scheduled to be released this year are ones I’m interested in listening to so I really couldn’t see them taking any of these spots anyway.

Anyway, before I start, I just want to say that I think that 2020 was a pretty strong year for albums. Genuinely, off the top of my head, there was probably another five albums and five extended plays that could have made this list had it been a weaker year. Likewise, even most of the albums that did make the list feel too low down and would have absolutely hit my number one spot in other, weaker years. But end of the day, it was thankfully not a weaker year and so without further ado, here are my top five albums for the year.

5. Chromatica - Lady Gaga.

I feel like every year I do this, I have that one album I was concerned about before it came out because I loved its predecessor so much and didn’t know how it would stack up. This year it was Chromatica. Being a massive Joanne fan and generally more inclined to listen to that sound, I didn’t see myself getting into Chromatica when Stupid Love first dropped. Even after that, it was a grower. Truth be told, I was battling whether to put Chromatica or Future Nostalgia in this slot due to that. As a whole, I listen to the songs on Future Nostalgia more and feel like they are an easier listen in day to day life and on their own. But what ultimately gave Chromatica its place here is the environment and feeling it sets up as a whole album, especially with its relationship to mental illness and recovery. Despite dance/pop songs dealing with mental illness/recovery typically not being my thing, Gaga really makes it work, particularly when listening to the album as a whole as opposed to select songs. This is one of the albums on this list that feels like it’s far too low down, but I couldn’t see myself pushing down any of the other albums. All up, it’s just a versatile album that can be used in a general pop/dance scene if you don’t want to think too deeply about the meaning behind it all or as a mental health moment in your day which in itself is impressive and makes it all the more enjoyable

Favourite Song: Sine From Above (featuring Elton John)

4. Folklore - Taylor Swift.

Remember in April when I said that I thought the postponement of Loverfest meant that we weren’t going to get a new Taylor album until 2022 and that she’d focus on her rerecordings in the meanwhile? Haha yeah me too.... But of course, Taylor had other plans. Honestly if you ever told me that miss Taylor “I fucking love the slow buildup to new albums” Swift would release a surprise album, I would have told you to stop being mean because it’s all I have wanted for years. So the fact we actually got that still blows my mind. I know a lot of people will say that I’ve ranked this album too low, and in many ways it definitely feels like I have. But quite honestly, for me personally, Folklore is an album that is objectively better than it is subjectively. Like realistically I know her writing and production choices on this album could easily rival RED and Reputation, the albums I would claim as Taylor’s best. But honestly, while the songs in Folklore are obviously connected, for me it just misses the level of connectivity and environment that I get from RED and Reputation. And obviously that’s not the case for everyone, I know a lot of people who have called this their pandemic album and feel the environment was just right for this year, that just wasn’t the case for me. Despite this however, the songs individually are incredible. Outside of Epiphany which I just personally find boring, it is a no skip album. Most of the songs have also really helped me in identifying and describing my trauma relating to my family which means the world to me. I have also decided that I would die for an organ version of My Tears Ricochet and a pop/punk version of August, though I doubt we will ever get them. Much like Taylor’s other work, I imagine it’s an album I will continue to listen to for years and even decades to come.

Favourite Song: August (but The 1 and Exile featuring Bon Iver are close seconds)

3. After Hours - The Weeknd.

This is another album I feel is too lowly ranked. Realistically this could have been my second place choice, but ultimately a lack of personal connection to the songs placed it here. I don’t really know what else I want to say about this album if I’m honest. It’s just really good. Like each song sounds unique enough to be distinguishable while still sounding alike enough to compliment each other throughout the album. I also feel like even though I don’t personally relate to these songs, there’s a sense of personalism and vulnerability on this album that I’ve only really felt on My Dear Melancholy (an extended play I heavily related to at the time). Also, it doesn’t need to be said, but despite having believed the Grammys was a political game for years, I am still beyond shocked that this album didn’t even get a nomination despite its success. Ultimately, I think this is my favourite The Weeknd album ever at this point.

Favourite Song: Heartless.

2. Manic - Halsey.

Like I said, I struggled on whether to make this my second or third choice for this list. Ultimately, what placed it as my second spot, and what I think is this album’s greatest strength, is that for me it perfectly encapsulated the highs and lows of being in your early 20s. Having turned 25 this year, listening to this album still feels like revisiting my early 20s with a new, more comforting and less lonely perspective. Genuinely, it feels as if I could assign each song a year of my early 20s in which I predominately felt those emotions and it just works. In my opinion, this is further strengthened with Ashley being my age and seemingly having similar musical taste, making the production choices feel all the more personalised to those moments as they are ones that I’d probably also make. All up, this album is amazing and feels like it’s going to be a nostalgia piece for a very long time for me personally. While I can’t say I’m surprised at the Grammys snubbing it given their record with Halsey, I still will forever feel like it’s disappointing because this album deserved so much more than it got.

Favourite Song: 929.

1. Child In Reverse - Kate Miller-Heidke.

Before I start talking about this album, I am once again going to note how bitter I am that Kate is so underrated. Perhaps I am too much of a stan, but genuinely Kate has been making top tier music for years now that barely anyone knows despite her being lyrically quite similar to big names such as Taylor, and Child In Reverse is no different. To be honest, upon my first listen to this album, I finally understood what everyone was on about when they said that Folklore was their pandemic/perfect 2020 mood album because that’s what Child In Reverse is for me. Much like Folklore and Manic, Child In Reverse feels a lot like I’m looking back over my past traumas and finding new ways to explain and process them and feeling less alone throughout the process. I will also say that while Kate has always made amazing music, this is the first album I personally connect to which just elevates my love for it all the more and has made it overtake Curiouser as my favourite album from her; something I never thought could be done. Further, I feel like this is Kate’s best album in terms of experience. While I would place Kate’s lyrical (and production in differing ways) ability on par with Taylor, I’ve always felt as if Taylor’s albums had more of an focus on the albums as a whole and how they work together to tell an overarching story, whereas Kate’s work tended to focus on the songs individually. Neither of these are better or worse than the other, but as I’ve mentioned, the environment and overall feeling of an album is just something that draws me in and makes me fall in love with albums faster and deeper than I otherwise would. So the fact that I feel Kate has achieved this for me with Child In Reverse just makes me so happy. All up, I feel that this was not only the most underrated album I heard this year, but the best and I truly hope that one day it gets the recognition it deserves.

Favourite Song: Child Of Divorce.

#kate miller heidke #halsey #the weeknd #taylor swift #lady gaga #child in reverse #manic album #after hours album #folklore #chromatica #kate miller-heidke

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ziracona · 5 years ago

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I reread your bit about rin in the last chapter and oh my god im crying. You did my girl justice. I'm so proud of her and i'm glad she had fun. I love the thought that she's helping him in little ways. ;') and oh my god. i love the myers siblings. Do you mind if I ask for hcs? because oooohhhmygod. need more

Awww thank you so much! I really liked the Adam-Rin segment too. I wanted to talk about Rin, but being an Onryo made it so I just couldn’t feasibly in the bulk of the story. Really glad I still got to give her her moment in the sun. : ) Adam’s such a great dude too, and I’m so happy he found meaning the way he did and keeps up such an active and deep relationship with someone who’s passed on. It’s not an easy thing to do, but I think it’s kind, and meaningful. And sure! I’m not sure if you mean Laurie and Mikey or Judith too since I got a few Judith asks yesterday, but ima assume this is ILM related and you’re looking for post-fic Laurie & Michael (sorry if that’s not the intended ask TuT). I did more but this is already a lot so I didn’t post them all haha. Here you go!

Laurie would be very unlikely to make the first move in a romantic relationship. She’s so used to prioritising survival, even when she’s okay again her brain is always, “keep homeostasis” as her directive, and adding a relationship does not fall under that listing. That said, she definitely still develops feelings, and would want things to happen. But I think it would be slow. I think with Laurie, she’d be going to lunches and having long talks and drinks and staying up and falling asleep on the couch together, in and out like each others’ presence belongs in their respective homes, come to each other for support and with hard days and for life advice, go to the theatre together and let them buy her a drink like they always do without being asked, brought back a nice gift from a trip, she waits up for them to get home to greet them, for like 1-3 years solid before one day they just take her hand and kind of smile and she realises she’s been in a relationship for two years and they just never said it, and maybe they won’t now, maybe not for another two years, but they know it, and she’s so happy.

Michael never cuts his hair short, but does not mind Laurie making him let her give him ponytails when they’re working on something, because it does get in his face.

Laurie softballs Michael for a while, since, well, she’s trying to help him reintegrate into society as a human being after having had a childhood that was basically just a 15 year stretch of psychological trauma, and being kind and supportive is a must. But after a few years, she’s gotten much more comfortable and sibling-ish in her interactions. She’ll definitely still be serious and supportive if anything happens and he needs it, but she’ll also give him shit for eating her food or not getting up off the bed she’s trying to make. He enjoys annoying her and does it for fun. Will hold eye contact and eat the cupcake she was saving just to watch her flip, like a cat batting an orange off a counter (or, you know, a sibling who’s feeling /that/ vibe rn.)

Laurie is 99% of Michael’s impulse control. If he and Quentin do something together without her, it /will/ be a disaster, because where Laurie inflicts neutral levels of chaos on the group w her lawful, Michael will almost instantaneously get Quentin to swap from lawful to chaos if she’s not there. They will both be fine, but there /will/ be something on fire when she gets back.

Laurie, walking into the house and seeing then throwing objects into a burning wastebasket in the living room: I don’t like what I’m seeing. Bring me up to speed.

Quentin: So, we maybe have illegally destroyed a car—but it’s okay! We had a good reason! Plus, we destroyed the evidence. Let me explain. So, this guy-

Laurie: :/

Michael: *gives her a ‘what’s your problem?’ gesture*

Michael and Laurie physically fight for nostalgia’s sake sometimes (for fun-get exasperated and performatively MMA. They would not actually injure each other).

One time, Laurie and Michael were walking home together from a movie and a guy drove by and whistled at Laurie and said something vulgar, and Michael stepped into the road and smashed the front of his car with his foot. It was beautiful. They did have to flee the scene but Laurie was /gleeful/. The dude in the car saw his gd life flash before his eyes and rethought some life choices.

It is a long time before Michael is willing to take any kind of meds for his psychosis (very understandably), but when Quentin eventually graduates Med school, six or so years later (bless u Jake for forging him some credits), he is willing to try a few given by him. It is not a good or easy couple of months, but he does it.

Michael gets along surprisingly well with the survivors. Most of them are pretty intimidated, but he’s genuinely chill, and they’ve been through weirder shit so 🤷🏻‍♀️ it’s like “Welp. This might as well happen.” and accept him in. Meg is a big thot. She’s into Susie and would never cheat and Susie knows this, but Meg will still flirt like crazy with Michael bc it’s her personality, and Michael, who’s never had this ever happen, is /beyond/ confused. Every time she says something stupid like, “Damn you’re tall. If I wasn’t a married woman, I’d climb you like a jungle gym.” He gives her the exact look Sam gives Gollum when he’s dissing potatoes in lotr.

Since she knew his and his family’s whole names and his wife’s face, Laurie tracks down Sujan’s family and tells them everything she can about what happened and how good he was, and what a difference the first person in the realm who was kind to her made.

Michael really enjoys traveling. He’s been cooped up his whole life. Spent 15 years in one little white room, and then 40 in reproductions of Haddonfield in the realm. Really, except for his solo journey from Wisconsin to home, he’s never left the state of Illinois. He goes with the survivor squad on their group trips, once he’s comfortable enough, and is consistently amazed. He’s not a very visibly emotive person, and can’t physically be bc of his psychosis symptoms, but his eyes will get big seeing the northern lights from a platform, and he’ll grab Laurie or Quentin’s wrist & point to make sure they’re seeing it too, and Laurie has never been so happy. After his first trip, he very much looks forward to the annual event.

Dr. Loomis is the only thing Michael as an adult has ever feared. (Obviously all humans feel temporary fear, like if a car comes at you or someone with a gun. But past instantaneous shock-fear, I don’t think Michael has ever been afraid of anyone else). This is based off of canon, because to me Michael reads as scared of him, especially in Halloween 2. He pauses and then retreats from Loomis in the first film, and when he sees Loomis running down streets looking for him in 2, he hides (I actually really love the Michael pov in Halloween 2 in the open. It was very humanising). Then, at the end of 2, when he’s blind and Laurie and Loomis have filled the room with ether, and Loomis tells him it’s over, he stops trying to find and kill Loomis and freezes. I genuinely think because he was scared of Loomis and has been for years (after that treatment constantly in isolation as a child, how could he not be?) and has known since he was 6 Loomis wants to kill him, so when he basically says “I’m about to kill you,” he believes him and it scares him. It’s the axe that’s been waiting to drop since he was a kid.

Laurie goes to cons with Nea, Quentin, & Min occasionally, and has dressed up as all three OG Star Wars protagonists like the lovely huge nerd she is. Has also made Michael sit down and watch all the movies w her.

Michael and Laurie go visit Judith a lot. They’ll pack a picnic lunch and talk with her and about her at her grave. It was very hard the first time they went there, especially for Michael, but after a while, it helps. It’s a way to deal with what was done in the past that makes it seem surmountable. It also helps to deal with the loss of someone they both cared for. When they go, Laurie always gets Michael to tell her something about her older sister she hast heard yet. David tracks down an old high school album from 1963, and is able to get three pictures of Judith colorised and they’re able to have a nice full-color photo of her to hang up in the house.

#long post #ask #anonymous #in living memory (fic)#in living memory #ilm spoilers #spoilers #laurie strode #michael myers #dead by daylight

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austennerdita2533 · 4 years ago

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I'm so happy that you love Folklore too! It's not just my favorite Taylor Swift album, but easily one of by favorite albums, full stop :) Here's a fun challenge: which Folklore songs remind you of a certain ship? So is there a Folklore song that makes you think of literati? Another one that makes you think of a Grey's ship? A third that makes you think of Elizabeth/Darcy? A fourth that reminds you of Klaroline and - I'll shut up, you get the idea :) Pick any Folklore songs/ships you want!

Taylor Swift’s latest album is a masterclass of musical poetry and storytelling. Rarely do I download every song a musician puts out on a new album (I tend to pick and choose), but I can genuinely say I never hit DOWNLOAD so fast in my life before than I did with Folklore! I love all sixteen tracks! I’ve been listening to them on a loop for two days straight and I imagine that’s likely to continue for the foreseeable future.

Also, YASSS! That is a fun challenge! It’s also one I can manage because I’ve been thinking about how certain songs/lyrics apply to many of my ships since I first started listening anyway. Prepare yourself. This is gonna be long. 😁

Okay SO, for Literati...

If I’m angling to lean into s3-s6 angst that was Rory and Jess at that point in the OG series, then I’d say the 1 is a good fit. That song has the same energy as someone who’s writing a goodbye letter to a loved one that will never be sent. It’s cleansing. Cathartic. An exorcism of feeling. It absolutely reeks of regret and longing with just a touch of look-back-over-your-shoulder-and-wish, just wish, that things could have been different:

“But we were something, don't you think so?”

“And if my wishes came true It would've been you“

“But it would've been fun If you would've been the one”

However, if I’m in more of a They’ll Come Back to Each Other mood with Literati then I think this is me trying screams Rory and Jess. That song emanates nostalgia! It’s haunting in tone (with the echoes, with some slight vibrato). The lyrics bleed with feeling, with emotion that should have rusted long ago but hasn’t. Love is still as red as it was at the beginning of everything only now...only now there’s realization and an attempt at atonement for past mistakes...

“I didn't know if you'd care if I came back I have a lot of regrets about that Pulled the car off the road to the lookout Could've followed my fears all the way down And maybe I don't quite know what to say But I'm here in your doorway“

It's hard to be anywhere these days When all I want is you You're a flashback in a film reel On the one screen in my town (the town, of course, made me think of Stars Hollow)

I just wanted you to know That this is me trying At least I'm trying

For Darcy and Elizabeth, I think seven works well for them in spots. If you listen to the song, there’s a little bit of an echoey timber to the way Taylor sings it and that gave me the sense of how classic love stories/literature kind of ripple across time, you know? How the pages may crinkle or yellow over the years, but they still leave their mark. Plus, there’s also the piano in the background. Almost feather light. It mixes with what sounds like violins in places. Idk, it has a slight P&P 2005 vibe about it to me:

“Please picture me in the weeds Before I learned civility” >> (Because did Darcy learn civility before or after Lizzie eviscerated him mid-proposal at Rosings? Did Lizzie learn to temper her prejudice before or after Lydia ran away with Wickham?)

“Passed down like folk songs Our love lasts so long“ >> (Elizabeth says herself she’s going to be happier than Jane because “[she] laughs; [her sister] only smiles.”)

I have a couple for Klaroline, too. hoax jumped out at me for them first because it’s layered with darkness and angst. The imagery pops. It’s all smoking guns and eclipsed suns and screaming on cliffsides; which, for a pair of supernaturals, and for an Original who has a history of leaving blood in his wake, I think some visuals of misery and violence are a fitting thing. I’m also obsessed with the piano in this. The way she strokes her fingers over the keys - quick tap, tap, taps then a slow one or two in places - gives you a sense of running. It’s a great parallel to her lyric about “sleepless nights.” Here are some other Klaroline-heavy lyrics in this song:

“You knew it still hurts underneath my scars From when they pulled me apart But what you did was just as dark Darling, this was just as hard As when they pulled me apart” >> (This whole section just booms with “I’ve shown kindness. Forgiveness. Pity. For you, Caroline It was all for you” energy.)

“Your faithless love's the only hoax I believe in Don't want no other shade of blue But you No other sadness in the world would do“

peace is the other song that had me crying in Klaroline. I like the softness of it, the vulnerability. I imagine it more from Klaus’s perspective, though, because it strikes me as more confessional in nature. Like it’s a revelation that’s being dragged across his teeth and he wants to scream. Almost as if these aren’t necessarily feelings he wants to share, or wants known, but there’s just no holding them back now. He’s thrown off the lid. Caroline needs to be able to walk toward him with her eyes wide open, so he only speaks truth, he only speaks honesty now. Similar to hoax, this song has darker imagery as well. There’s fire and fences and trenches and all that jazz:

“Your integrity makes me seem small You paint dreamscapes on the wall“ >> (Same energy as “you’re strong, beautiful, full of light.”)

“And you know that I'd Swing with you for the fences Sit with you in the trenches” >> (basically a promise that he’d fight FOR her and WITH her)

“But I'm a fire and I'll keep your brittle heart warm If your cascade ocean wave blues come All these people think love's for show But I would die for you in secret“ >> (THIS IS THE PART THAT HITS ME THE MOST BC so much of Klaus’s love is shown not spoken, so yeah, he dies for her in secret all. the. time. already. There are 5 other ways I could interpret that as well. But I will spare you haha)

“The devil's in the details

“Would it be enough If I could never give you peace?” >>With supernatural enemies everywhere, there won’t be much peace, will there?

I get walloped with Braime/Jaime and Brienne feels every time I listen to epiphany. Like, it’s actually rude how much this song makes me think of them. I can close my eyes and hear their swords clanging, taste the blood of their injuries on my tongue; feel the ash claw their throats, sting their eyes. Just--ah! The two of them serving, fighting back-to-back, two knights with an unspoken oath to protect a love they haven’t even voiced out loud yet...*cries*

“Only twenty minutes to sleep But you dream of some epiphany Just one single glimpse of relief To make some sense of what you've seen

“With you, I serve With you, I fall down Down Watch you breathin' Watch you breathin' out Out“

invisible strings makes me think of Shirbert/Anne and Gilbert. I love the pluck of guitar strings and how it has this air of innocence and sunshine and green grasses about it even though it’s being told/sung from a hilltop of experience. There’s so much imagery in this song, so much color and figurative language, that I can’t help but think it’s perfect for our imaginative dreamy-eyed girl and the boy who’s adored her since he first tugged her pigtails and called her Carrots in that schoolroom:

“Green was the color of the grass Where I used to read at Centennial Park >> (Can’t you just picture Anne lying in the grass, a book in her hand, flowers in her hair?) I used to think I would meet somebody there Teal was the color of your shirt When you were sixteen at the yogurt shop“

“Time, curious time Gave me no compasses, gave me no signs Were there clues I didn't see?“

“Wool to brave the seasons One single thread of gold Tied me to you“ >> (Love the warmth and vibrancy of this. The wool makes me think of Avonlea blanketed in snow; the gold has me drinking sunshine, smelling goldenrod in October)

“Time, wondrous time Gave me the blues and then purple-pink skies“

“And isn't it just so pretty to think All along there was some Invisible string Tying you to me?“ (Love the idea of the string representing their friendship, how it never snipped. How it only braided together, growing tauter, closer, all the time.)

august hits me with a waterfall of Darvey/Donna and Harvey feels. There’s a wistfulness about this song that settles in my gut, twisting it with longing, with musings of all those Almosts in relationships that were so close to coming to fruition then never did. It’s so incredibly reminiscent of how Donna and Harvey toe the lie between friends and almost lovers who-are-nearly-there-but-not-quite for 12 years. IT HURTS SO GOOD.

“Back when we were still changin' for the better >> (THIS IS SO EMOTIONALLY RESONANT IT HURTS) Wanting was enough For me, it was enough To live for the hope of it all Canceled plans just in case you'd call”

But I can see us lost in the memory August slipped away into a moment in time 'Cause it was never mine And I can see us twisted in bedsheets August sipped away like a bottle of wine 'Cause you were never mine >> (Obviously I’m swimming in the angst of this until my fingers get all pruny.)

Finally there’s mirrorball which is Jisbon/Jane and Lisbon all the way! It’s funny because when I first listened to Folkore I thought that’d be one of the last songs I’d pair with a ship?? YET HERE I AM. Jane was in the carnival circuit growing up and I cannot, for the life of me, stop attaching him to all the descriptions of the circus/revelry. So much of his schtick throughout the show comes down to trickery and observation, which he uses to size people up, and sarcasm, which he often employs as a defense mechanism to keep people at an emotional distance. I like the theme of this song for him and Lisbon. As the mirrorball, he’s shining his true self only for her. She’s the only person who sees his “shattered edges”; she’s not distracted by all his “glistening.” Here are my favorite lyrics that are applicable to them:

“I'm a mirrorball I'll show you every version of yourself tonight

“I can change everything about me to fit in You are not like the regulars The masquerade revelers Drunk as they watch my shattered edges glisten” >> (Okay, so this makes me think Jane’s on camera confession to Erica Flynn: “I’m looking for someone who…uh, someone I can trust. Someone strong. Someone at peace with themselves. Someone better than me. Someone who knows the…worst side of me and still loves me.")

“And they called off the circus, burned the disco down When they sent home the horses and the rodeo clowns I'm still on that tightrope I'm still trying everything to get you laughing at me”

“I'm still on that trapeze I'm still trying everything to keep you looking at me“

I will stop there because otherwise I could sit here analyzing songs and ships for the rest of my life, boring you to tears haha. Thanks for this, lovely! (And obviously I’d love to hear some of your song/ship matchups as well!) xx

#what-would-jane-austen-say #replies #the loveliest of lovely people #ashlee bree talks folklore and ships #i didn't do all 16 songs #but i covered a good number of them #from literati to darcy and elizabeth #from klaroline to jaime and brienne #from shirbert to darvey to jisbon #not bad for a day's worth of obsessive music analysis and listening i think!

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cmtrydrve · 5 years ago

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hey ! my name’s link , i go by he/they pronouns , am 21+ & live in the cst timezone ! my only personality trait is being a bts , sment & girl groups enthusiast . i’m an aries sun with a pisces moon , which means i can be aggro , am always loud & obnoxious , but am a secretly sensitive softy , so plz be nice to me !!! this is my child , mikey , who’s stuck in 2006 & never grew out of his emo phase ( take that , mom ! ) . he’s also an aries , because my jjks always end up like that . hopefully , you’ll love him as much as i already do ! under the cut , you’ll find some misc . info & wanted connections . here are links to his dossier page & his pinterest board , which will hopefully give you some deeper insight . i’m excited to be here & write with you all ! like this if you’d like to plot & i’ll fly to your ims , but also feel free to add me on d*scord ( it’s easier for me as well ) : no brain only loving bts#6669 !

— jeon jungkook. he/they. demiboy. | was that michael “mikey” kwon i just saw in the hideaway lobby ? i hear the twenty-two year old spends most of their time working as a record store clerk / studying communications , but i’ve always just seen them dyeing their hair different colors with kool-aid . they live in 3c and i often see them in the halls. they always give me a vibe of getting into arguments online , an entirely black wardrobe and drinking six cups of coffee to make it through the day .

misc . info :

his parents are both very hip artists who met & fell in love while attending art school. they’re both very modern kind of parents, which meant that mikey grew up around a lot of self-expression (& being told to try it for himself), paint everywhere & pot.

growing up, he was allowed to paint his walls & even ceiling however he pleased & it instilled a love of creativity in him. his parents still have paintings he did as a child hanging up on their walls & fridge. even now, he still draws casually, though it was always a hobby for him & not his actual passion.

his parents are extremely caring & understanding. as a teenager, they allowed him to go out & party & always made sure to get him home safely. mikey genuinely can not remember a single time they ever yelled at him even when he fucked up massively. so he tries his best to make sure they’re happy & taken care of. but they’re adamant in supporting whatever mikey wants to do.

they were both the alternative types, which meant that rock music filled their home. mikey was familiar with classic rock from a young age & the sounds of fleetwood mac & other similar bands fills him with a warmth that can only be attained from childhood nostalgia.

his first taste of love came at the age of seven. his parents always brought home new albums to listen to & his dad purchased three cheers for sweet revenge by my chemical romance. while the screaming & raging instruments could have been too much for anyone else his age, mikey embraced it fully.

it ignited an adoration for the genre as a whole & soon enough, his parents were bringing home various emo music albums to sate the always dramatic & over-reacting mikey. for christmas, he received mcr’s discography (at the time, just two albums) on vinyl, which he still has hanged proudly on his wall as an adult.

he owns every variation of every mcr album now. vinyl, cd, cassettes. he even collects the japanese versions because he likes the way they’re designed.

he dropped the name mike / michael because of mikey way & he refuses to answer to anything else.

even though it’s largely part of “cringe culture” now (which mikey refuses to participate in), he loves hot topic & goes there whenever he can. his closet is full of band tees & he has a drawer filled with those spiky belts, bracelets & pants with the suspenders from his teenage years.

he’s been dyeing his hair regularly since he was twelve. he’s had every color under the sun. this is what his hair currently looks like but he dyes the highlights with kool-aid, so the color is always changing.

he has a nostril piercing & would probably get more done if someone so much as implied that he should.

he has a mcr stan twitter account & he gets into fights with everyone he decides has a wrong opinion. he’s been suspended multiple times for being too aggressive online, but he always comes back. he also has a tumblr account but he just uses it to reblog pictures of gerard way (his bias KJHFDKJ).

he works at a record store & goes to school for communications. he hopes to either be a radio dj or podcast host. he wants to get paid to talk about how much he loves music either way. but he loves his current job because he gets to talk about music all day and recommend albums to people. also it’s helpful in perfecting his own vinyl collection.

yes, he cried the day mcr broke up & yes he bought tickets to all their reunion shows. he took the day off when the tickets went on sale & his boss was understanding, knowing how much he loves the band.

he’s extremely impulsive. if you tell him to do anything, he more than likely will. he has a lot of stupid scribbled tattoos on him for this reason, especially on his hands.

while he doesn’t mind appearing masculine & even embraces it, he doesn’t fully align with being a man. he started identifying as nonbinary in his teens, but has never felt 100% a man his whole life. he’s fine with both he or they pronouns for the most part, though he does have his preferences day to day. he introduces himself as nonbinary so it’s not a secret & everyone who interacts with him is aware.

he’s kind of a party animal. he’s that loud person who drinks too much & ends up blacked out on the floor.

he gets in trouble a lot, because he plays music very loudly at both his workplace & his apartment. but he’s of the opinion that if music is too loud for you then you’re just too old.

he’s aggressive & very arrogant. he will fight you about anything & everything. he just likes to argue & he thinks he’s right about everything.

in typical aries fashion, he loves to flirt & be flirted with. he just adores attention & seeks out affection where he can find it. he gets crushes really easily & pursues aggressively (he’s extremely charming & good at making people feel good about themselves), but he gets bored when he actually obtains the person he desires. he’s never really seriously dated, but has had over a billion crushes in his lifetime.

thought dramatic & annoying most of the time, he’s also very loyal & has a good heart. if you’re in his circle of people he likes, then he’ll do anything for you point blank. he always tells his friends that he’d die for him & he means it.

while he tries to appear confident, he has secret insecurities stemming from being the middle child. he has issues with feeling like he’s not good enough or thinks he’s unnoticed by everyone, so he acts up by being dramatic.

he drinks A LOT of coffee, so he’s pretty much always bouncing off the walls.

he’s extremely pansexual & loud about it. if you’ve known him for longer than five minutes then you’ll find out how he wishes he could smash gerard way specifically in the helena mv to smithereens.

he very casually knows how to play guitar. he’s that person who plays wonderwall at every party.

while he’s not a fan of pop music, he knows most girl group dances & can do them well.

wanted connections :

exes (any gender. it will more than likely be something casual, like a few months or less, but we can discuss the timeline! also it can be messy or friendly. extra points if there’s lingering feelings!)

hookups / fwbs (any gender. singular experiences or regular type things)

childhood plots for those who’ve lived in seattle (childhood friends, first kisses / crushes, all that good stuff)

flirtationships that don’t go anywhere

one-sided crushes (don’t mind who has the feelings!)

mutual pining but they’re both idiots & have no idea

party buddies (can be drinking &/or smoking). emo music buddies. netflix buddies. any of these can be combined.

enemies???? (if we can decide on a suitable plot. or enemies with benefits :smirk:)

someone who knows of mikey from his stan twitter but doesn’t realize it’s him & talks shit openly about the asshole who runs the account in front of him.

on the opposite side of the spectrum, someone who he flirts with in the dms & they plan to meet up after realizing they live in the same apartment building.

tinder date (it can go well or not)

frequent customers (customers he flirts with or can’t stand because they just loiter or gets into fights with because they have bad taste in music

someone who takes advantage of mikey being willing to do anything he’s dared to do. make him do all the stupid shit he shouldn’t be doing, whether it’s getting tattoos / piercings or anything dangerous or just idiotic.

you’re sick of this asshole blasting music late at night & go to yell at him for it but oops he’s actually attractive (or you actually can’t stand him, whichever GKDHFGJFKD).

i have a huge tag full of plots i’d love to do on my rp spam blog. not all of them will be fitting for mikey but just ask me & we can try to change some elements or something!

literally anything you can think of i’m probably down for it!

#hide:intro #◟ * 𝟎𝟏𝟑. 𝑔𝑜 ℎ𝑜𝑠𝑝𝑖𝑡𝑎𝑙 𝑝𝑙𝑧 › OUT OF CHARACTER #not me being ready on time for once wow

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vapormaison · 5 years ago

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2019 Best Vinyl Pressing 1/4: 魂のための歌 by 憂鬱

Preface: Throughout the month of December, Vapor Maison will be nominating “BEST OF” albums of 2019. Slots will remain open for this month’s releases. Categories include Best Vaporwave Release, Best Future Funk Release, Best Re-Release (V & FF), and Best City Pop Re-Release, among others. This is one nominee for best Vinyl Press.

Author’s Note: For the writer’s ease of writing and readers ease of reading, I’ll be using the transliteration of 憂鬱:Yūutsu, and the translation of “Soul’s Song” in lieu of “魂のための歌”. I’ll maintain the Japanese track listings for easy reference. Apologies to Purity, a maiden as tedious as she is cruel.

Are the merits of a vaporwave album on vinyl even worth reviewing?

Obviously, you’re reading a vaporwave vinyl review — creating a sort of circuit — so in the strictest sense of the word, yes, — but naturally, a follow up question must be asked by any smart music consumer. If so much of vaporwave, and by extension future funk, is centered around digital manipulation of either computer programs (vocaloid, electronic loops, midis, drum kits, etc), and pre-existing digital rips of j-pop (by definition most of future funk) — what’s the point of a vinyl press? Pressing mp3s onto vinyl is pointless — as no amount of “warmth” from a vinyl-based Hi-Fi system will ever make up for a low-quality source. What’s more, the indie releases of these tracks can make it hard to justify an expensive vinyl mastering session. In my most unfortunate purchases, I’ve had MP3s outperform certain 45s.

But sometimes, you can get just the right format, just the right mix and master, and it just makes your hifi set sing. You, as a Vaporwave/Future Funk/Chillwave/etc. enthusiast, can certainly approach the sonic repro quality of lore — that Platonic form of an “audiophile’s album”. How can I prove this? Look no further than Soul’s Song by Yuutsu. Point blank, full stop. This is the one of the rare vapor records for a true audiophile. In this next section, I’ll be giving my thoughts on the album’s tracklist. In Part 2, you can join me for a trip into Hi-Fi World for a discussion of Vapor-Vinyl’s legitimacy.

PART 1: THE MUSIC

小さい鳥 opens the album with a moody, synthetic mandolin-like twang and elegiac Vocaloid vacillations extended in a sort of melancholic embrace that brings you — willing or otherwise, into the arms of this project. The arrangement of the loops are of particular note here, with the layering of additional sonic flutters that culminate in an anti-climactic crescendo that leaves you as sad and disappointed as the album no doubt wants you to feel.

それは愛を返さありません ends up being the most “atmospheric” of all the tracks, a listening experience I’d describe as a fitting background track for a KEY visual novel — eerie, haunting monosyllabic Vocaloid chants of comprising the long, long hooks. While running at 5:24, it definitely feels longer — perhaps created by a symphonic discord between vocals and music at intermittent portions of the piece. I’d characterize this piece as the most experimental of the album, deftly playing with my expectations more than any of the others.

闇 is incredible — and without a doubt the highlight of the tape. Because it departs from the simple string looping and gives us something more — something resembling a tragic and contemplative harmony, however discordant, and one that builds into lyrically what I consider to be a genuine contemplation of spirituality and the other world — a natural place, topically, for an album titled “Soul’s Song”. A sort of hollow computerized synth also left me considering — was this song about the soul of the Vocaloid program itself?

The digitized horns, eerie synths, and what I could best classify as the crackling of amplifiers introduce the thirty-eight second interlude of 変更 and serve as the riser to the climactic shift of the EP beginning in おやすみ. This four-minute piece deftly blends electric and analog strings and brings the vocaloid program to its emotional and sonic heights, really making the high-end pop in a for a surprisingly refreshing experience.

We conclude the album with a hybrid piece ネコチャン which captures the electric energy of おやすみ, the distorted samples of 変更 and adds a fleeting feeling of warmth with that familiar sound of tennis shoes on a waxed gym floor, evoking nostalgia that never was of doldrum days in a Japanese high school. The album fades out, with our familiar vocaloid’s calling out of Neko-chan, melting away like memories.

PART 2: THE VINYL LISTENING EXPERIENCE

When re-starting this review blog in earnest over the past month or so, I made a point to get my best gear serviced. I couldn’t claim to be fulfilling my broadened duties without having a fully-serviced, properly functioning kit. One of the more essential and dreaded refurbishments was getting my KEFs over to the local stereo shop wizard for a re-foam. I’d be without my workhorses for a week: an audiophile Alexander without his binaural Bucephalus. In the meanwhile, my backup speakers — a pair of Cambridge Audio SX-50 bookshelf speakers that I use as computer monitors, stepped up to the plate as pinch hitter.

I provide this anecdote for a reason: the very afternoon I dropped my KEF’s off at the shop is also the afternoon I received my copy of Soul’s Song by Yūutsu.

Admittedly, I can’t say I was particularly hyped for this release, or very eager tor receive it in the post. The previous evening I had been sleeplessly experimenting on a DJ set of city pop for the journal’s launch party at my alma mater. I was decidedly on an upbeat, caffeine-fueled kick of positive thoughts and big dick energy. Success had triggered the dopamine receptors, and the idea of sitting down for a serious listening session of an album that many BandCamp users had dubbed as “peak sadwave” seemed like an unnecessary vibe check.

But— being a self-appointed music blogger— a craft which I imagine has real pretensions about it somewhere, I buckled —a serious listening session was attempted.

And I was utterly blown away.

***

A final word on gear. The Cambridge SX-50s — and Cambridge Audio in general— do have a bit of a cult-following among guitar enthusiasts in various audiophile spheres. I also am familiar with a listening bar in Nagoya (where I studied abroad for a semester) that uses top-shelf Cambridge Hi-Fi gear solely for Vocaloid listening sessions!

Suffice to say, I was not actively thinking about either of those two facts when I first let the needle drop, but when the twangy synthetic guitar loop and the eerie vocalic chants of それは愛を返さありません began, a sudden wave of melancholy set in and brought my mind back to a lonely winter spent in that basement bar after breaking up with my girlfriend. And to the Cambridges. At that time, I became intimately familiar with how an upbeat, poppy — sometimes even jazzy track— accompanied with Vocaloid vocals could really make those speakers sing. And it was happening right now, as I was cuddled by the warmth pouring from those drivers in spite of the cold sadness of the arrangement. That dichotomy was on full display as “Ya-aa-mi” invocations of 闇 reached its penultimate hook.

In may respects, these Cambridges were and still are petty. I had previous experience with them butchering a poor quality vinyl of the Luxury Elite/Saint Pepsi Late Night Delight EP two years ago. My KEF’s usually take it upon themselves to run cover for a bad release. Cambridge-chan couldn’t be bothered. On a bad day, with a bad play, they’ll seem like the most clinical JBL studio monitor — but here they were, absolutely singing. This album was making them slap — metaphorically. And that’s when I realized what a magical press this was.

Five days later, the KEFs were securely hooked up to my amp again. The first vinyl to be put through the paces was, of course, Soul’s Song. Again I was impressed. The exquisite layering of this album can’t be expressed enough — and while the SX-50s brought out the synthetic string and vocals to the fore, my 104s filled in the rest of the sonic picture. I felt as if I was being re-acquainted with a piece of sculpture upon viewing it from a different angle, or witnessing a church’s mosaic in person after seeing a small reproduction in a well-printed textbook. This is a pressing far and above the previous standards I’ve set for vaporwave.

***

As any Vapor Vinyl review would be incomplete without a brief take on the overallＡｅｓｔｈｅｔｉｃ of the release, so I’ll just start by saying that I really enjoy the three-tone front end. The lavender, beige and white undeniably make this a very “Aloe” release, who tend to make things easy on my very nearsighted eyes by never making the cover too busy. This is perhaps with the notable exception of VR 97’s recent cassette release — not a trend, I hope!

I do have to admit I’m getting a bit tired of pink vinyls, though — and Soul’s Song unfortunately now joins a very crowded pack. I suppose if you were being pedantic, you could compare the “pinkness” of the album vis a vis the 2nd pressing of Macros 82-99’s Sailorwave (fuller, more saturated), or even the “bubblegum” first pressing of Vektroid’s Floral Shoppe (just naming two iconic releases) — but I think this release would have been fine (and moved units) as, say, a picture disc — making use of the powerful, emotive cover art to its fullest extent. In short, it takes something unique and then commodifies it to the point of exhaustion. While I suppose this criticism could be leveled at all of the genres I cover— I think generally speaking Vaporwave and Future Funk (to a lesser extent) treads this line of “capitalist critique” and “modified consumption” rather adeptly.

The main thrust in the previous paragraph, I should qualify, is not a specific criticism of Aloe City Records, however — I think they’ve done a fine job generally. If I could make a list of three releases that justify a special edition vinyl — this is certainly one.

For audiophile vaporwave/chill-wave fans, I’d encourage you to snap it up while you can. You can even buy it ethically — it’s still in stock on Aloe City’s band-camp page. It’s in my mind — without doubt — one of the best presses of the year.

#vaporwave #bestof2019

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